Any last tips for anyone reading, who wishes to start creating Kira artwork?
Draw what moves you. If it's a certain scene, emotion or you have a feeling to just draw Light...than draw him. When that creative mood hits act upon it. If you don't...it'll nag you until you do. Also you don't have to draw exactly how Light looks in the anime. As long you have his details right, you can do your own style of Light. That would make your artwork stand out more, because it’ll have your own personal touch to it.

Creating something is better than creating nothing.

Anything missed?  Any great ideas sizzling away on a back-burner, in danger of becoming charcoal, because no-one's checked that list since we wrote it?  (Being too busy organizing, liaising, coding, formatting, chasing and all other manner of orchestrating e-mails zooming back and forth, coz folk beautifully, fabulously and brilliantly did join in.  In absolute droves.)

Finds a whole article written in advance, and promptly forgotten about; has a frightened little gasp over the short list pertaining to Light Yagami's birthday on the 28th.

Never did source an astrologer to tell us about the propensity of Pisceans to become Kira; nor anyone to explain why it matters that his Light Yagami's blood group is A; nor whether the Fire Tiger of the Death Note manga birth year for Kira, or Earth Snake of the anime, best suits Light's personality as described in the Chinese Zodiac.  If anyone actually knows any of this stuff - or related charts, no-one mentioned Indian astrology yet! - then you have two days to jot your knowledge down and rush it to us in time for Kira's birthday on February 28th.

Pretty much guaranteed to ninja yourself into our already chock-a-block publishing grid for Light Yagami month though!

Then there it was, a faded, pencilled little note - create a gift store for Kira on Death Note News.  It would tie in nicely and we have a freaking website to pay for!  If we could just start remembering to populate (and promote) our Death Note Gifts area (tick), we might get a dribble of commission in to put aside towards hosting costs (He Moves Me Differently, not really here); domain name retention (here); Kira crossword prizes etc.

So when things get tough, we wouldn't have to resort to desperate measures, like launching an appeal replete with photographs of the wide-eyed, cute, beseeching faces of our two kittens and boa constrictor.

(Incidentally, and remarkably, that worked!  Yow and Jiji are currently nowhere to be seen, out playing without risk of our kittens creating more kittens; plus they got their travel home, all their inoculations and insurance to cover them at their friendly, lovely vet. Tinkerbell is having a vivarium built especially for her. Until about two days ago, I'd have said she's the happiest boa constrictor alive. Then she got mites.  This is not a great learning curve, but we're winning nontheless. No infestation of snake eating mini-spiders noms Tink on OUR watch. And yes, Anonysnake did raise Anonymous to help haX0r said mites.  Two Anons anyway.  No more about that here.  This is a Death Note news site!  If you want to keep up with kitten/boa gossip, follow them on Twitter like normal people.)

Have you created Kira art now or in the past?
Yes - in the past.

Any anecdotes about your experiences as a Light Yagami artist?
I used a reference of a guy I found attractive back in the day for the piece, he stumbled upon it and now we are good friends! Going to massacre his sassy ass in Smash Bros this Sunday. :D

How would you go about creating a Kira drawing?
Find references, get a basic sketch for composition and values, then render out!

What attributes, clothing and/or scenarios, do you feel are essential to include in Light Yagami artwork?
The K-pop boy band member hair and the red eyes are a must.

Is there more to recreating Kira visually than the outfit?
(Expression/stance/slogan etc.)
His personality has to come across, so get a pose / body language that fits it!

What, in your professional opinion, are fundamental tips/advice in producing art that's recognisably Kira?
Using references is an absolute must in order not to get lost.

What are the common noob errors made in drawing Light Yagami?
Not using references! :'D  The general public tend to think anything that comes from your head has more value than anything you copy, and they are right to an extent. But if you are in your early stages as an artist, your mission is to be able to get your fundamentals right before jumping into relying entirely on the contents of your mind.

Professional artists usually do a mixture of both: they look for references and they change them in their head to come up with their own creations.

Any last tips for anyone reading, who wishes to start creating Kira artwork?
Nowadays there are tutorials for everything (what a beautiful time to be alive!), you just need to put the hours of work. So get yourself into training everyday and you will eventually be able to create anything you imagine!

Anime actors Brad Swaile, Sergio Zamora and Kim Hasper are answering your questions backstage as we speak.  They ALL played Light Yagami, providing the voice for him in the English, Spanish (European) and German dubs of the Death Note anime respectively.

Each actor has a new profile page - which will later transform into their individual interviews conducted by all who sent in queries to be asked.  The buttons beneath their pictures below will take you to that seiyū's profile too.

To make life easier on all, we even translated the question form into English, Spanish and German.  Though any of those languages may be used to ask what you will of all three Light Yagami voice actors.

Death Note News writers and readers alike have been sharing their thoughts and research expertise on all things Yagami. Thus far, we've read profiles penned by us:

• Death Note Profile: Who is Light Yagami?
• Casting Kira: Light Yagami Actors Across the Globe

Philosophy:

• Nathaniel Overthinks Death Note #04: The Utilitarianism of Light Yagami
• The Concept of Kira: Can you Really say Light Yagami is the God of the New World? (Guest Post by Lua)

and Linguistics:

• Why is Light Yagami's Name Read as Yagami Tsuki? (Guest Post by Amaryllis)
  
• What's in a Name? The Reason Why Light Yagami is Called Kira in Death Note (Guest Post by Renchan)

In our aim to uncover the communities, forums, groups and other places where Light Yagami fans hang out - and to give such areas a little boost of publicity too - we had ComicVine's Light Yagami Forum respond, while also bigging up our own Pinterest Community Board for Kira fans.

Let us know if there are more out there!

We've had Kira cosplay galore!  In addition to the fabulous God of the New World above by Fausto the Endless (of whom more later in the month), the whole thing kicked off with Cayanna Carma as Light Yagami welcoming us to this event.

She returned later to answer questions about cosplaying Kira, as did Squad Six Cosplayers and Light Yagami.  We're still to hear from Maru-Light, whose insight is already in and queued waiting to be published.

There's been slightly less of a response from those penning Kira fan-fiction.  Matti gave it a go with Mu Amongst Fools; while the ubiquitous Maru-Light came clean on whatever happened to her co-authored Death Note novels The Redeemer Series.  Fascinating, even if you never read the books!

However, there may be more interest now that we've finally got our Death Note fan-fiction author questions up and running.  Will you be sharing your writing secrets there?

The lovely Tate Forkel started us off with the fan drawn Light Yagami artwork.  Arrowchild added her own to the Redeemer piece already mentioned above. But then nothing more.

Come on Kira artists!  We're all dying to see what you have created.  To a given value of 'dying' obviously; thought we'd better mention that, given the subject and circumstances.  You may be interested to note that you have also now got a series of questions aimed at uncovering your artistic know-how!

There's much more to come from whence all of this derived, so keep reading and don't forget that everything Light Yagami related this month is being archived for a permanent display: The C0llected Archives of Death Note News Month of Light Yagami.

And next month, Matsuda.  Are you ready?

The Redeemer Series began as a private passion project between myself and Andariel (Anda-Chan on DA) as we were entering into our own romantic relationship back in 2008. (We’re now engaged, living together and wedding planning).

We were cosplaying often as Light and Mello back then (and later L, B and Matt) and writing together became part of our raison d'etre. It was a full package deal, the writing feeding the cosplay and vise versa. We had a habit of telling our fellow DN friends about this huge fic we were working on, and they began asking us to read it, so after some thought we eventually relented and put Redeemer up on AFF.

From there the series seemed to generate an audience on its own. We rarely promoted The Redeemer Series much outside of our own DeviantArt accounts, and later, our own forum; but on the rare occasion I sought it out online to see if it had some presence, I often came across it on various Death Note fic rec lists, and even a listing on TV Tropes.com. (LOL)

It was fantastic to suddenly have an audience that didn’t just invest in reading our story, but reviewed and even joined our forum to chat all things Redeemer Series. We had fabulous artists doing fan art, we had an active Character Ask section, we were embroiled in discussion every day about the Death Note of our fic world, and we made some truly great and supportive friends (several of whom are still with us.)

So really, what happened?

Later on we had some of our nearest and dearest readers tell us that they could pinpoint just where the series started to fall apart. At some point in the fourth book, Sins of the Father, around the quarter mark, long after we reached what we felt was an apex in the finale of To Be or Not to Be and then cruised through a very alternative continuation supported largely by OCs in Our Time is Running Out, we started to lose momentum. 

We’d been writing about Death Note for five years. However, we were two writers (in my case a life-long writer) who sought to have real-world careers in writing, but were beginning to realize that we were spending all of our time writing about someone else’s work. It was fun, it was engaging, we loved it while it lasted, but we were beginning to long for something more and we weren’t getting any younger.

It wasn’t an immediate revelation. It came slowly as we pounded the keyboard to push through Sins of the Father. After all, we had two more huge books planned. We had enormous story arcs to cover! The nature of Kira’s God-ness was going to be explored in epic proportions! We were heading toward the End of Days!

Instead, what we were actually heading toward was the end of the Redeemer Series.

We were going to write a spinoff called I’m Not Okay (we were having a love affair with My Chemical Romance at the time). The spinoff centered on one of our OCs (his name was Adonais back then) with the Death Note characters as a peripheral presence. The idea was to tell Adonais’ origin story as a flashback novel, and lead into Sins, where he’d been coexisting as a Wammy’s student with the likes of L and Light. It was supposed to be a break for us, a way to get out and play with something new, and hopefully return to the Redeemer Series with renewed vigor. That was our plan.

But what happened was not according to plan.

Not long ago, we came across a blog post somewhere, belaboring our ‘underhandedness’ of ‘tricking’ our readers to read a book about an OC with promises of Death Note and then not delivering. “If they wanted to stop writing Death Note, just come clean and tell us, don’t trick us into reading about your OC.” That was the complaint, or something to that effect.

Let me say, it wasn’t that simple. If it was, we could have saved ourselves a lot of angst. After all, we weren’t lying to our readers; we were lying to ourselves.

Frankly, we weren’t ready to let go. It was a lesson we learned the hard way, writing I’m Not Okay. The more we wrote, the more that book began to do what it wanted apart from Death Note, but we kept trying to force the enduring intent that we were going to bring it all back around to the Redeemer Series. Slowly, our audience started to drop off, frustration began to show in reviews. The longer names like Kira and L and Mello were absent from the text, the less people stayed with us, and the more that happened, the more we began to wonder at what point did we have to accept the truth: that we’d moved on.

The readers that remained and invested honestly in our burgeoning original tale, weathered our indecisiveness, but started to agree that we needed to break it off. Not Okay was becoming its own thing, and to proceed without letting the book organically grow as itself, was proving a hindrance to the work and to our efforts. And clearly it was pissing off the people still holding out for L and Light to make an appearance.

So we decided to call it, and we removed I’m Not Okay from AFF and put the Redeemer Series on indefinite hiatus.

We squirrelled our new work off to our private forum where some of our long-term readers were keen to beta. From there, Pandora’s box syndrome kicked in and we realized there was a huge untapped OC cast with untapped potential just waiting to move in on our little story and blow it wide open.

Because all of this siphoned down from The Redeemer Series, there were initially some similarities between concepts we'd been exploring beyond canon when it came to characters like Beyond and L particularly. Those similarities eventually diluted until we can really just shout out to their original incarnates like a sentimental homage. 

However, as we planned the world of our new original universe, we realized there were still elements we'd incorporated in To Be and its compatriots that we wanted to explore and adapt. We began to pull some of these concepts back in, revisiting ideas we had for the Redeemer Series with new eyes as we constructed a world, while removed from Death Note, was not necessarily removed from our signature subjects.

Our explorations of madness and the asylum culture, our crazed characters who often speak in sing-song~ Our off-beat, anarchist, angst-ridden, pretty boys. That’s who we are as writers, and that’s what we have been building into our new work--The Breaking Across Devotion Series. Literally a tale about rock stars and serial killers. I’m not even kidding.

We made every attempt to spread the word about why the Redeemer books were coming down, but our reach is none too wide these days, and I know there are a great many readers out there who are angry and disappointed. Trust me, I get it and I’m sorry.

The Redeemer Series had a great long run. We had a lot of fun writing it, we had an amazing experience with the audience it garnered. We’re grateful and we thank you guys who latched on to it and enjoyed it so much. Redeemer itself is still public on AFF and won’t be going anywhere. It is undeniably, a Death Note fanfic.

However, I am going to echo what I’ve said repeatedly in statements about the series’ removal: that if you so happen to have downloaded copies of the novels, you are free to keep them for you own reading pleasure. Just please do not share them online, or post them for download, and please do not plagiarize them (have some humanity, I beg you).

Anda and I are hard at work on The Breaking Across Devotion Series (BAD for short) and are very active on our new forum, CocoaCoveredGods.

Anyone is free to join if they want to get in touch with us, want to ask us anything about Redeemer, or want to check out what still exists of the Redeemer Series content regarding the removed books, Character Asks, fan art, etc. And yes, there’s even a thread where we speak to the unsolved mysteries of the series and where future plans were heading, so what was left unfinished can at least have some closure. (Was Matt ever going to die as predicted? Short answer: no.)

We’re also open to betas of the new series. Since we’re planning to publish, it’s not open membership, but if you're interested, come over and let us get to know you, get to know us, and we’ll be more than happy to consider you as a beta. Chances are, if you enjoyed the Redeemer Series, what we’re doing now will be right up your alley. It’s just as dark, and twisted and saturated in atmosphere as books like To Be, Our Time and Sins were.

DEATH NOTE was my first entry into anime, with Light being the character that I was most drawn to.

From his intellect to scheming, lust for power and ridding the world of evil, I felt a deep connection. This piece is my love letter to not only the anime itself, but to the character of Light, with the watch face signifying his sanity ticking away.

Tate Forkel

As many of you already know, there's a thriving Kira Pinterest Board - run by Death Note News - which you may join and post your Light Yagami goodies to the world.  It's open to the entire Death Note fandom, though you'll need us to invite you in before you can pin.

No real rules there.  As long as it's on topic, then you may instantly pin Kira art; cosplay pics; fan-fiction links; commentaries; screen-shots; merchandise; links to your own group or community; photographs of your Kira crafts; or whatever else morally, ethically, musingly or amusingly takes your fancy to do so.

It's like our Death Note Month of Light Yagami every day!

If you follow the Pinterest Light Yagami Death Note News Board, you should eventually get an invitation from one of us anyway.  All a matter of due course and the admin being on the ball.

However, if you want to speed things up, either comment before with your Pinterest name and/or a link to your profile, or else post the same privately via the form on our Contact Page.  The first person to pick it up will rush in and get you instantly up and running.

Incidentally, it's not just Kira Pinterest Boards that we're hosting for the community. We have a growing number of other Death Note character boards, not to mention many other categories of Death Note boards on Pinterest too.  You can hop onto the majority of them as contributors - and/or all boards as followers or folk merely breezing through, passing a moment or two looking at the pretties (then wondering where the last hour went).

Same drill as before, if you want an invitation to any Death Note News Community Pinterest Board.

It's only taken months (years...) but there have been some art updates over on the He Moves Me Differently website.  It's not that the art hasn't been there to update, just that Matti hasn't got round to coding the pages to make it so.

Walls Came Tumbling Down and Ghosting the Street now have fan artwork sections.  In the case of the former, that's just about the only thing it has in it!  In addition there's artwork for the smaller stories by MRS Jeevas too.

They include such gems as these:

There are more pieces of artwork inspired by the It Matters series to be added to the website.  Mostly it's a case of tracking them all down from where they've been languishing on-line awaiting this moment of industrious coding on Matti's part.  However, there's plenty more already up there, in He Moves Me Differently Artwork area, from many artists amassed over many years gone by.

There also promises to be much more to come in the future too.

AquaCola has returned to art after a period of enforced Real Life occurring. She appears to be getting back into the groove largely by sketching scenes from Matti's novels.  You can see her works in progress over various threads in the forum, alternatively find her on Tumblr.

Meanwhile, Chiroptera is on her fifth read-through of Matti's Mello and Matt fan-fiction novels.  The muse has most definitely taken her, with the three pictures above, another two artworks in progress AND a thread asking for requests from the rest of the readership.  You can catch up with Chiroptera (and glimpse even more works in progress) on her Tumblr account.

In fact, during the time it's taken me to write this, she's sketched another - fairly risque - image of Mello and Matt, which would certainly hold resonance in the Death Note Matti!Universe.  Hurrah!

Yûsuke Murata won a manga art competition when he was just twelve years old.  He served his artistic apprenticeship with Death Note's Takeshi Obata; now he's known in his own right for work on such seminal manga as One-Punch Man and his debut work Eyeshield 21 (2002).

Taking the mystery from the art, Murata wows his fans with live streams, as he works on his pages from famous manga.

All of this we know from French magazine AnimeLand, which is currently running a profile on Yûsuke Murata, highlighting his work, artistry and current projects.  People may also follow him on Twitter.

Of peripheral interest to Death Note fans, but nevertheless still interest.

Can you think of any Death Note manga panel that more perfectly encapsulates the whole damn story? 

A Shinigami sculpture!  Isn't this wonderful?  Built entirely of Lego, Ryuk from Death Note was created by Neo's Bricks:

The appearance of tarot cards in Death Note is heralded by Near's shopping list, presented to Anthony Rester, of things that he requires in order to investigate the Kira case. Amid items such as 'plastic models', 'inflatable pool', 'secret base set', 'radio controlled rubber duck' and a 'Christmas tree', Near asked for 'Tarot cards... $250'. That's a pretty expensive deck of tarot!

It's to Near we return, time and again, to see how tarot is used in Death Note.

The deck of tarot cards used by Near in Death Note appears to have been invented by Takeshi Obata (or prompted for him to draw by writer Tsugumi Ohba). At least it's not one that I've ever seen outside the Death Note universe, nor have any fans apparently found a real world set.  Surely a marketing opportunity lost right there.

Anthony Rester's tarot purchase on behalf on Near was first revealed in the manga: Death Note Chapter 78 Prediction.  Those scenes later appeared in the anime: Death Note Episode 30 Justice.

In both the Death Note anime and manga, Near lays his tarot cards out in a very specific way.  They are arrayed in a circle around himself, with most of the cards used in this manner, while a small pile remains to sit inside with him.

While I can't claim to know every single tarot card spread in existence, this one is a new configuration on me. It's difficult to know how it would - or indeed could - be read in a predictive context.

There are roughly 40-44 tarot cards precisely placed in a circle around Near.  As there are seventy-eight cards in most packs, this constitutes the majority of them.   They appear even more densely packed in version shown in the anime of how Near lays out his tarot cards.

Circular tarot spreads tend to use far fewer cards. The most I've encountered are sixteen piles, with thirteen or twelve (or zodiacal spreads of tarot) being more common.  This isn't to say that Near hasn't invented his own, or else knows a way that I haven't seen before.  Just that it's rather surprising and probably for visual effect only.

The question being - for whose?

The titles of the Death Note scenes where tarot cards are featured contain hints of their usage.

In the manga, this is Chapter 78 - there are usually 78 cards in a tarot deck.  The chapter is entitled Prediction. Fortune telling is how tarot is most famously employed, though by no means the only way in which they might be used.

Moreover, in Death Note 13: How to Read, author Tsugumi Ohba claimed that he chose the title based upon the predictions given by Near and Light respectively.  Namely that there is a fake rule (Near) and that Mello would contact the Japanese Kira Task Force (Light).  No mention of tarot in this context at all, though it would seem the obvious source.

In the anime, the scenes in which Near reads tarot cards occur in Episode 30: Justice.  There's nothing particularly meaningful about the number 30 in tarot, but there is a card usually labelled Justice.

Absolutely the most clichéd use of a tarot card in popular culture comes with the misuse of the Death card.  The problem is that viewers, or readers, think they know what it means. You don't have to be a tarot reader to interpret that Death is bound to translate into a fatality. It doesn't look good for the person whose fortune is being told, which is why it works so well for dramatic effect.

Unfortunately for the storytelling plot, the Death card in tarot rarely means actual, physical death for any individual uncovering it.

As an aside, a group of us tarot readers once challenged ourselves to come up with a configuration of cards which would genuinely denote an imminent loss of life. As in unequivocally could not be read in any other way.  It was hard work, with much toing and froing and debate, but we eventually arrived at something. Every card was one of the minor arcana.  They did not feature the major arcana card Death.

So how did Death Note do with its use of the tarot Death card?

At first glance, quite badly.  Near waves the Death card about whilst discussing Shinigami, rules of the Death Note and finally focuses upon it as he tells Light and the Japanese Task Force that he plans to murder Mello. None of which are particularly covered by that card's tarot meaning.

At least not in isolation.

Though, of course, Near could just be using the Death tarot card as a symbolic prop and not reading it at all. In which case, it very nicely indicates a Death God, an instrument of death and a vigilante brand of enacting capital punishment upon his erstwhile foster brother.

However, that's not precisely how and when Near links events with his Death card.

In tarot, the Death card signifies an ending of something - usually a situation or circumstance, rather than a life. It might just as well have been called a breakthrough card or closure of a chapter, than the more evocative Death.

Near doesn't turn over  his card until the moment when he's found a rule which can't be proven true given the known facts of the Kira case.  Unless, of course, Light Yagami really was innocent, which Near doesn't believe.

Therefore the appearance of the Death card in Death Note marks a watershed moment whereby Near's investigation genuinely threatens Kira's security, and Light's previously watertight alibi.  It's also the first fruits from the beginning of a new arc, in which Mello and Near (not entirely willingly) work together to defeat their mutual adversary.

Death Note's creators may have employed this tarot card in a purely symbolic way or not, but it also fits the plot.

A second card gets flicked over, as Near realises that the second L - à la Kira - can see and speak with a shinigami. Bringing another of the major arcana into play seems to denote that some progress has been made.  Two cards to signify that they've taken a step forward.

It could also be seen very symbolically without recourse to knowledge of tarot cards.  If Kira is Death, then he was tempted into it by a supernatural force, i.e. the Death God.  (Who was no doubt seen as demonic anyway, especially in the Western mind, amid all that Christian imagery dotted throughout Death Note.)  Who better then to represent Ryuk in tarot than The Devil?

However, as it happens, The Devil in tarot is exactly the right card for Ryuk, particularly in this situation.

If you're reading from an Abrahamic background (Jew, Christian, Muslim etc.), then please put aside all you know of The Devil/Satan. This tarot card skirts about the edges of that persona, but it isn't an exact fit. For that you need to reach further into the inspiration for the modern Devil - Pan, Bacchus/Dionysus etc.  This is a deity/demi-god who exists for hedonistic pleasure. He will grant your every desire and give you tools to satisfy your greatest craving.  Thus teaching the individual the meaning of the old adage: be careful what you wish for, it might come true.

You only have to see the addict in thrall to their next hit, or those crushed beneath debt because they really couldn't afford all those things that they bought, in order to see how instant gratification and receiving all that you wanted might go badly wrong.

In the case of Kira, it was that Ryuk presented him with power usually beyond the scope of any mere human. Light Yagami's wish for a better world made him reach for the Death Note.  His use of it ultimately controlled him, rather than the other way around.  Ryuk has frequently stated that he's on nobody's side.  He's there for the lulz, as it were. But here he is providing Light/Kira/2nd L with the lie required to continue satisfying his need to remain in power.

That is The Devil of the tarot, and the Death God of the manga/anime alike.  At any time, Light could have stopped. Ryuk doesn't force him into this course of action.  He just facilitates it.

That Near turns over The Devil card at the point whereby Ryuk lies on Kira's behalf is exactly right. That was the moment of facilitation, not merely that of being present. 

In both the manga and anime, Death Note's tarot scenes with Near aren't so much fortune-telling - nor the Prediction of its chapter title - as seeing the cards used as commentary upon what's already occurring.  Near isn't 'reading' tarot cards per se.  He's providing illustrations to highlight the important clues unfolding.

If he'd merely picked those cards at random from the tarot pack, then they really were worth the $250 in precision, and Near is undoubtedly the most intuitive character in manga history.

But he didn't pick either of them at random.

Look again at how the sequence with The Devil tarot card in the Death Note anime plays out to witness how Near selects his tarot cards quite purposefully.

Step One:  Near sits in the midst of his circle of tarot cards. He's selected just a handful - five or six at most - and flicks through them overlooked by Hal Lidner and Anthony Rester.  As his conversation with Light Yagami goes on, Near's index finger pauses upon a single card among the tarot in his hand.  His fingertip strokes back and forth along its rim.

Analysis:  Near hasn't yet reached a firm conclusion upon what's occurring with the Second L (Light/Kira). Each tarot card in his hand represents a possibility.

Step Two:  Near suddenly whips the card free of those in his hand. But he holds it away from himself, with its picture aspect concealed from his own view.  His gaze is actually upon the Death card upturned on the carpet before him.  Meanwhile, Near tells Light that he knows there is a fake rule in the Death Note and asks his opinion upon which it is.  Light - in the guise of (second) L - answers that it's the 13 day rule.

Analysis:  Until now, The Devil card has symbolized one of a final handful of strong contenders for what's going on. Near has promoted it to most likely scenario, but cannot acknowledge it as fact until he's tested his theory.

Step Three:  As Light asks Ryuk to confirm whether or not there is a fake rule in the Death Note, Near smiles and turns The Devil card towards himself.  He does so at the moment that Ryuk asserts that there are no fake rules, thus lying to maintain Light Yagami's prior alibi against accusations of being Kira.

In that pose, Near clarifies that there is indeed a shinigami present, and confirms that the answer was that all Death Note rules are truly stated.

Analysis:  Near has already deduced that there should be a shinigami present, as he suspects that Light Yagami is Kira.  What he was testing was whether the relationship between Kira and Ryuk is akin to that state of affairs governed in tarot by The Devil card.  Near knows there is a fake rule, so Ryuk's denial of the fact confirms Near's favoured theory.  

From a pack of 78 tarot cards, Near has now homed in on one - The Devil - to describe Kira's inner sanctum and mindset, and Ryuk's position within the scenario too.  This sets the tempo for what will later play out in the Yellow Box warehouse.  In short, Near just nailed Light Yagami's psychology; Ryuk's facilitative indifference; and his own end game.  All with a single tarot card to provide context.

Step Four: Near might hold his card close to his heart, but only physically.  In actuality, he's crowing his victory - repeating to Light precisely what just happened.  That the confirmation wasn't that the Death Note rules aren't fake, but that a shinigami will lie in capitulation to Kira's will.

Whilst speaking, Near throws down The Devil card, so it lands upturned upon the Death card.

Analysis:  Thus Near is able to finally play his card - The Devil previously selected - whilst spelling out to all listening (the remaining SPK, plus the entire Japanese Task Force, in addition to Light and Ryuk) that the shinigami's presence confirms Kira's presence too.

Moreover, Near's just shown that the Death God will lie for Kira, inserting fake rules to provide him with an alibi. Therefore Light Yagami's innocence is no longer proven.  He could still be, and almost certainly is, Kira.

He never once mentions The Devil, though Hal, Anthony and the unseen Stephen would be able to see Near deal his tarot card.  Nevertheless, Near has tripped Light up by triggering the weakness inherent to all in that state of being highlighted by The Devil in tarot.

Conclusion:  Near uses the tarot in Death Note as psychological profiling tools.  Not fortune-telling at all, just props for his own thought processes and theory categorization.