There seems to be a touch of the Mikami about this new Death Note character - a Kira aping Supreme Judge to be introduced in the fourth of the movies, out in Japan this October.

Eiichiro Funakoshi has been cast as Kenichi Mikuriya, one of the owners of a shinigami notebook in the movie Death Note: Light Up the NEW World.  He picks up his Death Note after six of them fall to Earth on Kozuki Night and chaos reigns a whole lot harder.

As a high-ranking judge, it might expected that Mikuriya would hand his notebook immediately over to the appropriate legal authority for them (in this case, Tsukuru Mishima and his Death Note Countermeasure Headquarters Special Team). However, the Supreme Judge as better ideas.  Rankled with the slow progress of the law, and with the occasional iniquity and unfairness of it too, Mikuriya determines the way forward to be embracing a more 'sophisticated' brand of arbitrating justice, i.e. him using the Death Note where the courtroom fails.

We can't help feeling that we've heard rhetoric like this before.  You know, from Light, L, every Wammy ever, Mikami...

And ok! Mikami was a mere prosecutor, not a Supreme Judge, nor was the lawyer technically a Death Note owner.  But the distinction would have been lost on any of those many thousand of names that old Teru over-dramatically scribbled into his own (borrowed/bequeathed) Death Note pages. We've had an L clone and a Kira imitator announced (plus the originals back in the forms of Misa and Matsuda), so why not Mikami. 

Now bigger and better and much, much darker. Deleting along with his forerunner and the best of them.

Death Note: Light Up the NEW World will be out on October 29th 2016.

Loud and over-emotional, Death Note's Misa-Misa appears not to have been blessed with much in the brain department.

Which is a shame, when she's up against the likes of Light, L and Kiyomi Takada and playing a deathly game as Second Kira. Yet she has one up on all of them, not to mention a splattering of NPA police officers and nearly all attendant Wammy House geniuses. Misa Amane survives. Moreover, she's never positively identified as Second Kira; let alone officially arrested, tried and punished for her crimes in mass murderer.

Which is more than Light Yagami manages.

Unlike both him and super-smart Teru Mikami, Misa contrives as well to be missing from the killing line-up in the Yellow Box Warehouse.

Though twice captured by Wammy detectives, and stalked by two others, she also sidesteps being murdered (directly or inadvertently) by them. Which again is more than can be said for top of her class Ms Grace herself, Kiyomi Takada, as well as usual suspects Yagami and Mikami, and their sometime stand-in Kyosuke Higuichi.

Alone of all the Kiras, Misa Amane gets to walk free at the end.

What happens next is all of her own doing, within her own control. Whether that's the dramatic suicide of the anime or the continuing on to world stardom as an actress and model, as per the live-action Death Note movies.

Not so stupid after all then.

Whether its in retribution, career, love, favours or contribution to the Kira case, Misa Amane rarely fails to achieve any goal for which she reaches.

Nobody who ever attacked her survives long enough to gloat in their assault. Her street assailant is taken out by a Death God (Gelus); her family's murderer is initially sentenced through due legal process then killed by Kira while in prison; Soichiro Yagami threatens her with a gun - he doesn't survive a Mafia bullet later on in the tale; her torturous captor L and his carer Watari are both slaughtered by a second shinigami Rem, again on Misa's behalf; Mello and Matt both stalk her, and they are killed within weeks by Kira and/or Kira supporters; while Takada tries to take Misa's man and ends up incinerated in a lorry.

Even Light Yagami, who exploited her constantly for years, finishes the epic crawling in sobbing indignity upon the floor, crying out for Misa in his death throes.

Not all of those were of Misa's doing, nor even at her instigation, but she's certainly left with nobody alive who so much at looked at her with ill intent.

Then you get her career. As anyone who has ever set out with a dream of fame and fortune may attest, it's not easy to achieve stardom, yet Misa Amane is utterly in demand for both acting roles and modelling assignments

In the Death Note live-action movies, Misa Amane's fame is ever-growing. By the fourth, Death Note: Light Up the NEW World - to be released in October 2016 - she is at the top of her career, a Japanese idol with a firm presence in the entertainment industry; a famous name known worldwide as an actress.

During the week that Misa's introduced into Death Note manga and anime, she's on the cover of Eighteen Magazine, apparently a popular journal for the Japanese fashionatas (presumably the youthful ones).

Misa-Misa set out for fame and fortune, and got it. On her terms too, as her demands that she not kiss the main romantic male lead in one of her movies demonstrates.

In fact, as the corporate arc unfolds, Misa's work on that film shoot close by Yotsuba Tower certainly helps with the rescue of Matsuda, then later the capture of Yotsuba Kira himself.

And let's not forget that it was Misa acting unilaterally that managed to force a confession from Higuichi. That was her contribution to the Kira case. No fuss; simply done; back within an hour or two with the evidence that the men had been searching for months to secure.

Not bad for someone supposedly without any wit or two brain cells to rub together.

Nor was that the only moment wherein Misa Amane proves more resourceful and calmly able to get what she wants than all else within the Death Note plot-line.

Half a dozen chapters pass before L narrows down his hunt for Kira to a single major suspect - Light Yagami.

Misa Amane manages the same in about a week and that's only because a few days pass between the broadcast of her tapes and the proposed meeting in Otaka.

Even unto the moment of L's death and, in passing his legacy to his Wammy House successors, through to the end of Death Note - at the staging of the Yellow Box confrontation seven years on - none of the Wammys succeed in positively gaining a confession from Light that he was indeed Kira. Nor the smoking gun evidence that would convict him of the crimes enacted in that persona.

Misa Amane pulled that one off within the same aforementioned week.

Granted she had foreknowledge of the Death Note and the handy boon of shinigami eyes at her disposal; but L and the Wammys had the entire world's political, military, intelligence and law enforcement agencies, plus experts in every field and academic discipline, ready to do their bidding, and/or the Mafia. L could also call upon criminal expertise in the shape of Aiber the Conman and Wedy the top cat burglar.

Misa Amane didn't have any of that. Therefore it was perhaps quid pro quo on such scores.

Moreover, Misa not only located Light, tracked him down to his home and got a confession to being Kira out of him, she did it all without a) Light finding out who she was and b) L knowing of her existence until she began repeatedly to be seen with Light himself.

In fact, we could go as far as to say it was only her association with Light Yagami which put Misa in the frame as Second Kira. But then again, she was only there because she insisted upon being Light's girlfriend and being openly known as such in public. The latter orchestrated entirely by Misa herself in a succession of surprise meetings outside his home, at his university and wherever else she could insert herself into his presence.

Outgunned utterly by his enforced beau, Light had neither choice nor say in the matter.

In this way - however exploitative, unfair and downright psychotic it is - Misa cannot easily be cast aside. She might present herself as utterly dependent upon Light, but in reality, it's the other way around. He cannot act in some quite key situations without her Shinigami eyes; or without the usage of her Death Note and the fact of her ownership of the same.

While ostensibly Light calls all the shots, Misa gets precisely what she requires at any given time.

She wants retribution for the killing of her family, she gets it; she wants to meet Kira, she engineers it; she demands to be Light Yagami's girlfriend, she gives him no choice in the matter; she wants him to move in with her, that occurs circa the beginning of the second arc; she decides it's time to get engaged, and Misa doesn't even bother to consult with Light on that one, she tells Kiyomi Takada first instead.

Financially, Misa was a woman of independent means for years before Light Yagami secured the Kira Task Force position to consider himself the same. She was the one with the money, the prestige, the social standing and the sole occupancy of an apartment. She bought her own furniture, clothes, make-up and every other possession with her own funds, including the phone and its network charges that she presents to Light and pays for on his behalf.

Even when Light gets a job and asks Misa to stop working as per social expectation, she could (and does in the Death Note movies) return to her career at any time.

In most fan imaginings, Misa-Misa is Death Note's very energetic answer to that stalwart of anime character archetypes - the Genki Girl. She shouts, screams, rushes about, glomps, squees and generally acts like the average three year old on a profusion of E numbers. Or, indeed, E.

There's plenty of scenes to throw into the mix in support of this designation. Yet look more closely. Shouldn't that be every scene?

In reality, Misa seems to switch Genki Girl on or off, or applies attributes to a precise level, depending upon the situation and who's watching. She's like someone who's read all about Genki Girl and figured that she can pull it off, so goes for it whenever the persona will cover a multitude of personal sins and/or throw people off the scent of her actual intelligence.

Take for example her meeting the Yagami women, whilst visiting Light at home. There Misa is the epitome of maturity; a demure Japanese lady full of politeness and decorum, give or take the length of her skirt. Yet outside, alone with Light on another occasion, she glomps him with all the enthusiastic screaming passion of the Genki Girl personified, now that his mother isn't watching.

Nor does she bamboozle Yotsuba Kira Hidechi with a steady stream of relentless words. Those she chooses are articulate and leading, with adequate gaps in between for him to speak enough to condemn himself.

Meanwhile, there's absolutely nothing of the motormouth, highly animated and over-emotional Genki Girl in Misa when she's detained by L as suspected Second Kira. To be fair, she's also in a full-body straitjacket, so none of that excessively expressive movement is physically able to be on show.

Yet you get the impression it wouldn't be either.

That prolonged scene in a straitjacket, effectively being tortured into submission by L, tells a lot about Misa Amane's true strength of character.

With his arms handcuffed behind his back, Light plays the game in full knowledge of his Kira-hood for a week, then gives that contextual understanding up. Within three days, he's pleading, begging, demanding to be set free, sure that he's not Kira and adamant that he's going to say so repeatedly.

Meanwhile, Misa Amane remains silent and strapped upright to a board, blind-folded, devoid of human contact beyond an electronic voice communicating through a speaker. Not a single word uttered in condemnation nor defense. Nothing whatever to make it worth her torturers' time in detaining her.

When she eventually does feel herself cracking, she finally does speak, but only to ask Rem to kill her. The words enigmatic without context to those listening on. The remainder of her days tortuously attached in that position in a state of near sensory deprivation would have been passed without knowledge of Kira nor her part in the Death Note killings. Yet she still doesn't say much nor beg as Light Yagami did.

Coming to the conclusion that she's been abducted as per her fame, Misa intelligently attempts to humanise herself and make a deal with her abductor.

L eventually has to let her go for the sake of nothing incriminating being divulged to prove her role as Second Kira, nor to use as evidence against Light. How many others could have withstood so much under torture?  Most in that position would be agreeing, admitting or issuing confessions to all and sundry, just to make the torture stop.

Nobody is suggesting for one instant that Death Note's Misa Amane is some unsung genius (though an interesting case might be made for that). However she certainly isn't the dim-witted, unaware character so many make her out to be.

She has drive, intelligence and self-knowledge enough to ensure that she gets what she wants, through a considered application of the attributes and tools in her personal arsenal. She can definitely identify goals, pinpoint way and devise strategies to achieve them, then action those tactics with usually astounding results.

Mostly Misa is fabulous at keeping herself under the radar by ensuring those around her think she's too stupid to understand much that is happening.

However, she proves time and again that she can read situations - and especially people - with a keen accuracy. She can be cute enough to sexually manipulate the men; childish enough to annoy or delight, but never be taken seriously enough for people not to scheme in her vicinity. She sees more than she ever lets on.

She can charm anyone, and uses that to great effect to get people waiting on her hand and foot.

However, when the occasion calls for it, Misa's intelligence shows all the above to be the veneer of an actress. Probably a psychopathic one at that, but certainly not the Genki Girl that she's studiously manufactured her self-image to be.

Do you agree?

On a global scale, Misa-Misa has been dubbed, played and in some instances sung into life for the delight of Death Note audiences everywhere.

In honour of her monthly event on Death Note News, we have collected together the names of the twenty-one Misa Amane actresses from Death Note adaptations across the world. Who for you, amongst these ladies (and one gent), wore the face or spoke the voice of Misa the Second Kira?

Mind you, the Japanese National Police Agency's Death Note Countermeasure Headquarters Special Team seems rather more populous than its counterpart from a decade earlier, the Kira Task Force.   The new base doesn't look too shabby either, as the two pictures below may attest.  Still in that Death Note de rigour colour scheme of monochrome with a touch of red, so beloved of every version ever.

These movies stills from Death Note: Light Up the NEW World were sanctioned by Warner Bros Japan, but made it into the public eye via an intrepid Death Note fan and writer for Natalie.mu, who 'sneaked' onto set - in an undisclosed Japanese location - on May 18th 2016 and witnessed the above scenes being filmed.  In addition to managing a quick interview about the movie and their roles from the two actors seen sizing each other up in character above, Sousuke Ikematsu and Masahiro Higashide. 

Read more about that here:  映画「デスノート」対策本部に潜入、東出昌大と池松壮亮がプレッシャー語る (Natalie, May 18th 2016)  If, of course, you read Japanese or can stand Google Translate's attempt at a native transcription.  Otherwise one of our Japanese translators will hopefully be along soon to tell us all about it.

Warner Bros Japan have released a thirty-second teaser for its upcoming movie -the erstwhile Death Note 2016 trailer, now officially renamed Death Note: Light Up the New World.

The segment depicts one of the new - and purportedly worse ever - Death Note owner Sakura Aoi (Rina Kawaei) in the midst of a mass killing spree.  She has no ideological background, just the will to kill.  She tells Ryuk, "I will show more interesting things than Kira did."   He finally answers, "After all, humans are so interesting!"

Ready to know the name of the movie that we're all going to see in October 2016?  (Or as close as it may be coherently located within our own neck of the globe.)  Ready?  *Drum-roll*  Death Note: Light Up the NEW World.

Until now, this Shinsuke Sato directed Death Note movie has gloried under the working moniker of Death Note 2016.  We always knew it would change with the only bets being about how bad that final title might be, for this live-action sequel to the earlier trilogy of Japanese movies.  All things considered, Death Note: Light Up the New World isn't too bad.  Not when compared to some that we'd contemplated here ourselves.

Perhaps a little cheesy, with the strong potential for disappointment, as we doubt very much that we'll see much of Light Yagami beyond reference or the occasional flashback.  Probably just the former.

Warner Bros Japan announced the film's final and official retitle with a poster featuring its three main cast-members:

This poster announcing a name-change for Death Note 2016, first appeared in the Japanese press on April 8th 2015, trickling out across the world thereon.

It depicts new characters Yugi Shion, Tsukuru Mishima and Ryūzaki perched on chairs above a scattering of six death notes, topped by that fruity shinigami favourite - a shiny, new, red apple.

(Be still your immortal beating heart, Ryuk.  If we put together to get you a whole basket of the stuff, would you go and be bored somewhere else instead?  Like another planet or plane of existence entirely, please. A few Granny Smiths really aren't worth the wanton destruction of humanity, with a theatre of war on a global scale enacted in genocide; forced rendering of all our civil and human rights; terror; and enslavement.  Do it for oil, like everybody else.)

Reflected within the polished floor-tiles, we see the faded, pixelating visages of their predecessors - Light Yagami and L - both deceased with ten years standing between their stories told in the first movies, and the present day recounted in this.

Death Note: Light Up the New World will open in Japanese cinemas on October 29th 2016.

A new still released for Death Note 2016 reveals the terrifying face of Ryuk - re-imagined for this latest movie.  It's all the shinigami as we know and love him, but darker, sharper and somehow much more gritty.

Death Note's creators did say that this would be the darkest iteration of the on-going story yet.

Further news to make fans cheer is today's announcement that original Ryuk voice actor Shidou Nakamura has signed on to provide the voice for this version too. Nakamura's tones are familiar to the Death Note fandom from the anime through to the earlier movies in the series: Death Note; Death Note II: The Last Name; and L: Change the World.  Jun Fukushima took over for the TV drama.

All 0f this follows the previous news that Erika Todd will be returning to play Misa Amane ten years on.

Death Note 13: How to Read gives us an insight into the character of Quillsh Wammy, at least insofar as his author saw him.

The older man scores highly for versatility, talent, initiative/willingness to act, motivation and emotional strength.  Not far behind are his only slightly lesser scores for creativity, social skills and intelligence.  That he doesn't reach the topmost figure for creativity is a little surprising, given that Wammy made his fortune as an inventor.  The ultimate creator, one might think, this side of actual divinity.

We do get a hint of the kind of things that Wammy invented, when he turns up in the Death Note manga with belts containing panic buttons.  Not exactly Bond's Q, but in the ballpark.

As befits a man whose wealth and life has become devoted to raising children, his pet hate is 'dirty rooms'.  Presumably plenty of those at Wammy's House. I can't quite see the like of Beyond Birthday, Mello and Near running around with a duster.

This is an attribute taken to extreme levels in the Death Note TV drama, wherein guests are sprayed with disinfection at the door.  The interior of L's headquarters is kept pristine in its cleanliness, with Watari hurrying in to exchange L's shirt should a mere splash of food stain hit upon it.  In most tellings of the Death Note story, it's also inferred that Wammy is a fabulous cook.  At least there doesn't seem to be any travelling caterer providing all that confectionery for L that his handler regularly delivers.

Though it's nowhere stated that Wammy is an Englishman, it's implied in the location of his main orphanage for the training of gifted and talented orphans - Winchester, in England.  A further clue is given in his most favourite thing in the world - Earl Grey tea.

It's never truly explained how Watari managed to become such a crack marksman either.  His sharp-shooting is such that, in the Death Note manga and anime alike, he's able to fire a bullet which blasts a gun from the hand of Yotsuba's Kyosuke Higuchi, far below him on the ground. Wammy himself hovering over the scene in a helicopter at the time.

Nor do we learn where Quillsh Wammy acquired such skill in espionage, though he puts that to good use in Death Note, infiltrating various organizations to gain or deliver information.  Not least a gathering of Interpol.

Nevertheless he passed on all this knowledge, and the thinking/morality behind it, to the children in his care.   Maybe more clues to Watari's character reside in those he raised - how they turned out and what became of them.

Genius children taken from wherever they lived around the world and installed in Wammy's House, Winchester.  Here their 'special talents' were cultivated with a top class education, whereupon they were sent back out into the world to put those skills into practice.  All of these individuals were nurtured by Wammy - or at least had their upbringing and training overseen remotely by him, as warden Roger Ruvie took orders from above.

Each skilled Wammy kid set loose on the world was assigned a letter by Watari.   In L: Change the World, it's stated that this only occurs with the greatest, most intelligent of the Wammy's House outcrop.  Kujo is according stunned to belatedly realise that she was afforded the letter K.

Dotted across various adaptations of canon, we've practically got the entire alphabet in Wammy Letters.  With Watari himself indicated by the Letter W, only H, I, O, S and U are missing.  However, some known Wammy alumni never divulge their letters.  We don't, for example, know which Matt was assigned, despite him being third in the Wammy House rankings.  Nor yet do we know which letter Ryūzaki will take in the forthcoming movie Death Note 2016, assuming that he takes one at all.

Meanwhile, by the end of the manga/anime Death Note stories, Near interchangeably uses both N and L.  The latter earned post-Kira.  Thus giving an insight into the fact that letters can be taken from their peers by successful rivals/successors from the same Institution.  This is a system that Wammy himself must have set up.

Along with a code of ethics that apparently accounts for serial killers, abductors, biomedical scientists bent on mass destruction and the propensity of Wammy graduates to think it proper to die - or be killed - for want of a puzzle's solution. 

Warner Bros. Japan has made public another movie photograph from Death Note 2016.  This time featuring Light Yagami-wannabe Yūgi Shion played by Masaki Suda.  As with all the others, there's no actual context to it, just to keep us all guessing what is going on.

Yūgi Shion is a cyber-savvy hacker, state-sponsored (new information there!) yet on the trail of Death Notes as they fall across the globe.  Kira was his hero and he wants to complete the erstwhile God/Murderer's mission as best he can.  For the moment, that apparently involves messing electronically with officers from the Death Note Counter Measure Headquarters Special Team, as they go about their investigation.

Giving hope to all of us global audience types, that Death Note 2016 will quickly migrate from Japan to our own screens, is a rather random movie magazine cover from Great Britain. 

Dominated by a mostly monochromatic photograph, the front of Screen International's special February 11th 2016 edition features next generation L clone Ryuzaki (Sousuke Ikematsu), in what appears to be a pristine prison cell.  He is slumped on a closed-lid toilet seat, wearing a hyottoko mask - as previously donned by his genetic forebear L in the first two Death Note movies, when the detective sought to conceal his own identity from Misa Amane.

The legend slanted on the floor is in English and reads, 'The new saga begins.'  Whilst a larger one, in the familiar Death Note font and a more than familiar first rule, floats alongside the actor telling us, 'Death Note.  The human whose name is written in this note shall die.'  The implication is clear. L's biologically cloned successor isn't going to make it to the closing credits either.

Though none of us believe it. The danger point is too blatant and too premature.

This wasn't a British magazine found generally upon the shelves of newsagents.  It was a private marketing magazine circulating at the 66th Berlin International Film Festival.  Only 10k were ever printed and they were distributed to attendees of the opening day on February 11th 2016.

The clue to why lies in the logo of Death Note 2016 copyright holders Nippon TV prominently displayed in the bottom right hand corner, alongside details for enquiring about world sales.  Ryuzaki may look slumped, but that merely serves to turn his whole body towards the lower logo and its missives.  His bulging hyottoko eyes are trained upon it.  The floor legend leads the eye straight into said inquiry details for the international distribution of Death Note 2106.

After all was is a marketing fly cover (wrapped around the film magazine's actual cover), which must have knocked NTV back a pretty penny! Therefore knowing that a representative was waiting - at booth 111 of the European Film Market in Martin Gropius Bau - was the actual point. 

Now all we need to know is whether anyone from our own respective countries nipped on over to stand 111, and if a deal was struck.

Incidentally, Screen International has its Feb 11th 2016 Death Note Berlin Film Festival cover - plus contents - online for us all to read.

In other related news, new casting Rina Kawaei has been Tweeting herself (February 24th 2016) on set, during filming of Death Note.  She was basically telling her fans that she was playing Sakura Aoi, and it had just been publicly announced by the studio.

While four days previously, on February 20th, her actor colleague Masaki Suda celebrated his 23rd birthday.  He was surprised at his desk, while performing his role as hacker and Kira worshipper Yūgi Shion, with something which obviously delighted him.  Unfortunately we can't get a decent enough translation to find out what!  Paper lanterns, perchance?

Warner Bros Japan has announced another new character for its live action movie Death Note 2016 (working title), currently being filmed in Japan.

Sakura Aoi is one of the six people set to possess a fallen Death Note.  However, in complete contrast to Light Yagami, she uses it utterly indiscriminately with no attempt at all at justification.  This makes her - we are warned - the 'most terrible Death Note user' that we've seen yet.

Bringing her to life on the silver screen is Rina Kawaei, formerly a singer in the Japanese idol girl band AKB48.  On Warner's official Death Note 2016 website, she proclaims herself excited because this isn't any kind of role that she's played before.  She's looking forward to the challenge.

Moreover, she's thrilled because this is Death Note! Though finding that a slightly strange feeling, on account of her excitement being about a story wherein lots of people die.  Oh, Rina!  Hang out with us. No-one will think you strange amongst this readership.  You're amongst friends and kindred spirits here!