Category: L

Ninja Sneak Preview - Keith Stanfield as L in Death Note! Netflix Confirms Actor Cast in Wingard's Death Note Movie - Filming to Begin in Vancouver This Month

13/6/2016

Adam Wingard Tweet revealing Keith Stanfield L in Death (June 13th 2016, 11am British time)

The new Death Note US L Keith Stanfield outs himself
in quick peek Twitter live stream. (June 13th 2016, 11am BST)

Keith Stanfield L Death Note news tweets

Keith Stanfield Death Note L Tweets June 10th and June 13th 2016

While all the world's press are busy confirming Keith Stanfield's undisclosed role in the Wingard directed Death Note movie, we can tell you precisely what part the Straight Outta Compton actor will play.

Unannounced officially, equivocally true nontheless: Keith Stanfield has been cast as L.

Talk about being in the right place at the right time!

At 11am British time (June 13th 2016), tipped off by dozens of sources that the actor's place on the cast list was now official, Death Note News editor Matti popped on over to his Twitter account to follow him.

Just in time to find Keith Stanfield sneaking in a live feed dancing to a tune of Big L - his finger making that familiar Lawliet mononym shape.

Moreover, that live stream had been retweeted by Adam Wingard and was a mere 39 seconds old. Within a minute it was all gone, deleted from its Periscope.TV host, the Twittersphere and cyberspace as if it had never been.

But for our screenshot, of course.

Could he get more blatant? Apparently yes! As - we're calling it - Death Note's US L actor Keith Stanfield added two more Tweets to fill the void left by his missing live stream. One posted three days ago; the other just now.

Reproduced below, the first read simply 'Hold this L', while the latest retweeted 'Perception is key' - a three year old message (dated September 13th 2013) from @thefirst L, the apparent Official Twitter of L from Death Note. An RPer who right now probably can't believe their luck!

What added impetus - or dissolution - this development brings to the current raging debate regarding the white-washing of Wingard's Death Note cast remains to be seen.

Keith Stanfield is patently not a Protestant White American - as per the overwhelming norm in actor ethnicity shown large upon Hollywood screens. Then again, neither is Nat Wolff, an actor of Jewish heritage cast as Death Note protagonist and L's opponent Light Yagami.

However neither are they Asian (or Asian-American, as the case may be), which is the real flashpoint in this on-going controversy.

New Death Note Owner Netflix Confirms Keith Stanfield Casting; Adam Wingard Announces Jason Eisener for the Crew

As tipped for you in our April 7th 2016 post, Netflix has indeed secured the rights to make the US live-action Death Note film. It's now known that the budget for Wingard's movie will be in the vicinity of $40-$50 million.

Usual great source Justin Kroll confirmed the Netflix Death Note movie rights news in Variety (Short Term 12’s’ Keith Stanfield to Star With Nat Wolff in Netflix’s ‘Death Note’, June 10th 2016).

While also breaking hot news implied by that headline and all previously discussed above - Netflix officially cast Keith Stanfield in Death Note, as per previously strong rumours reported here last month.

Death Note's director Adam Wingard has been making announcements too vis-à-vis additions to the movie-making team. This one was via Twitter and informed us that Jason Eisener has signed up as 2nd Unit Director.

Poor thing. This must be so exciting for the Canadian director of Hobo With a Shotgun, V/H/S/2 and ABCs of Death. I can't help but imagine that his addition will be a little lost amidst the clamour about the US film's casting of L. Particularly as both public heads up came on the same day.

But Eisener didn't get a nice Variety article. Merely an admittedly 'very excited' Tweet from Adam Wingard, and a mention here from us.

Well done, Mr Eisener!

Adam Wingard Death Note Jason Eisener tweet (June 10th 2016)

Jason Eisener is Death Note's 2nd Unit Director, as
revealed by Adam Wingard (Twitter, June 10th 2016)

Latest Production Information for Death Note Film

What Jason Eisener's appointment implies, as director of Death Note's second unit, is that there will be at least two sets running concurrently. (Prevailing rumour whispers that there will eventually be three.)

This development in the technical film-making side of things is borne witness is the latest update from the Directors Guild of Canada (download PDF, dated June 10th 2016), which otherwise doesn't add a great deal to what we already reported at the beginning of May 2016.

Death Note production information Directors Guild of Canada

To spell out what that means - while Wingard oversees the action at one Death Note filming location; Eisener will be in charge of the other. Double the opportunity for Death Note fans to oops-a-daisy accidentally wander into the movie shoot, and get themselves forcibly ejected by security or constabulary.

Hopefully with pictures and/or gossip, which we'll happily share.

Filming on Death Note kicks off in Vancouver on June 29th 2016. It is currently due to finish on August 30th 2016.

84 Comments

Subtlety Beneath the Stereotype: Is There More to Misa Amane Than Meets the Eye?

4/6/2016

5 Comments

Loud and over-emotional, Death Note's Misa-Misa appears not to have been blessed with much in the brain department.

Which is a shame, when she's up against the likes of Light, L and Kiyomi Takada and playing a deathly game as Second Kira. Yet she has one up on all of them, not to mention a splattering of NPA police officers and nearly all attendant Wammy House geniuses. Misa Amane survives. Moreover, she's never positively identified as Second Kira; let alone officially arrested, tried and punished for her crimes in mass murderer.

Which is more than Light Yagami manages.

Unlike both him and super-smart Teru Mikami, Misa contrives as well to be missing from the killing line-up in the Yellow Box Warehouse.

Though twice captured by Wammy detectives, and stalked by two others, she also sidesteps being murdered (directly or inadvertently) by them. Which again is more than can be said for top of her class Ms Grace herself, Kiyomi Takada, as well as usual suspects Yagami and Mikami, and their sometime stand-in Kyosuke Higuichi.

Alone of all the Kiras, Misa Amane gets to walk free at the end.

What happens next is all of her own doing, within her own control. Whether that's the dramatic suicide of the anime or the continuing on to world stardom as an actress and model, as per the live-action Death Note movies.

Not so stupid after all then.

Death Note's Misa Achieves Dividends When She Acts

Misa Amane with evidence to prove Higuichi is Kira

Whether its in retribution, career, love, favours or contribution to the Kira case, Misa Amane rarely fails to achieve any goal for which she reaches.

Nobody who ever attacked her survives long enough to gloat in their assault. Her street assailant is taken out by a Death God (Gelus); her family's murderer is initially sentenced through due legal process then killed by Kira while in prison; Soichiro Yagami threatens her with a gun - he doesn't survive a Mafia bullet later on in the tale; her torturous captor L and his carer Watari are both slaughtered by a second shinigami Rem, again on Misa's behalf; Mello and Matt both stalk her, and they are killed within weeks by Kira and/or Kira supporters; while Takada tries to take Misa's man and ends up incinerated in a lorry.

Even Light Yagami, who exploited her constantly for years, finishes the epic crawling in sobbing indignity upon the floor, crying out for Misa in his death throes.

Not all of those were of Misa's doing, nor even at her instigation, but she's certainly left with nobody alive who so much at looked at her with ill intent.

Then you get her career. As anyone who has ever set out with a dream of fame and fortune may attest, it's not easy to achieve stardom, yet Misa Amane is utterly in demand for both acting roles and modelling assignments

In the Death Note live-action movies, Misa Amane's fame is ever-growing. By the fourth, Death Note: Light Up the NEW World - to be released in October 2016 - she is at the top of her career, a Japanese idol with a firm presence in the entertainment industry; a famous name known worldwide as an actress.

During the week that Misa's introduced into Death Note manga and anime, she's on the cover of Eighteen Magazine, apparently a popular journal for the Japanese fashionatas (presumably the youthful ones).

Misa-Misa set out for fame and fortune, and got it. On her terms too, as her demands that she not kiss the main romantic male lead in one of her movies demonstrates.

In fact, as the corporate arc unfolds, Misa's work on that film shoot close by Yotsuba Tower certainly helps with the rescue of Matsuda, then later the capture of Yotsuba Kira himself.

And let's not forget that it was Misa acting unilaterally that managed to force a confession from Higuichi. That was her contribution to the Kira case. No fuss; simply done; back within an hour or two with the evidence that the men had been searching for months to secure.

Not bad for someone supposedly without any wit or two brain cells to rub together.

Nor was that the only moment wherein Misa Amane proves more resourceful and calmly able to get what she wants than all else within the Death Note plot-line.

How Clever Misa Amane Outwits Both L and Light in the Hunt for Kira

Misa Amane tracking down Light Yagami

Half a dozen chapters pass before L narrows down his hunt for Kira to a single major suspect - Light Yagami.

Misa Amane manages the same in about a week and that's only because a few days pass between the broadcast of her tapes and the proposed meeting in Otaka.

Even unto the moment of L's death and, in passing his legacy to his Wammy House successors, through to the end of Death Note - at the staging of the Yellow Box confrontation seven years on - none of the Wammys succeed in positively gaining a confession from Light that he was indeed Kira. Nor the smoking gun evidence that would convict him of the crimes enacted in that persona.

Misa Amane pulled that one off within the same aforementioned week.

Granted she had foreknowledge of the Death Note and the handy boon of shinigami eyes at her disposal; but L and the Wammys had the entire world's political, military, intelligence and law enforcement agencies, plus experts in every field and academic discipline, ready to do their bidding, and/or the Mafia. L could also call upon criminal expertise in the shape of Aiber the Conman and Wedy the top cat burglar.

Misa Amane didn't have any of that. Therefore it was perhaps quid pro quo on such scores.

Moreover, Misa not only located Light, tracked him down to his home and got a confession to being Kira out of him, she did it all without a) Light finding out who she was and b) L knowing of her existence until she began repeatedly to be seen with Light himself.

In fact, we could go as far as to say it was only her association with Light Yagami which put Misa in the frame as Second Kira. But then again, she was only there because she insisted upon being Light's girlfriend and being openly known as such in public. The latter orchestrated entirely by Misa herself in a succession of surprise meetings outside his home, at his university and wherever else she could insert herself into his presence.

Outgunned utterly by his enforced beau, Light had neither choice nor say in the matter.

Overly Attached Girlfriend Misa Amane: Is She Really So Dependent on Light?

Stereotyped throughout the Death Note fandom as the overly dependent girlfriend from Hell, that description seems only partially correct under analysis.

Misa certainly goes after and gets what she wants in the romantic stakes. Moreover, from the onset, she'll use every manipulative trick in the book to keep her man and ensure his romantic availability is retained for herself alone.

Who can forget the chilling statement that she will kill any other woman that Light dates? Basically laying it on the line at their first meeting that he gets her or nobody. Those are her terms.

In this way - however exploitative, unfair and downright psychotic it is - Misa cannot easily be cast aside. She might present herself as utterly dependent upon Light, but in reality, it's the other way around. He cannot act in some quite key situations without her Shinigami eyes; or without the usage of her Death Note and the fact of her ownership of the same.

While ostensibly Light calls all the shots, Misa gets precisely what she requires at any given time.

She wants retribution for the killing of her family, she gets it; she wants to meet Kira, she engineers it; she demands to be Light Yagami's girlfriend, she gives him no choice in the matter; she wants him to move in with her, that occurs circa the beginning of the second arc; she decides it's time to get engaged, and Misa doesn't even bother to consult with Light on that one, she tells Kiyomi Takada first instead.

Financially, Misa was a woman of independent means for years before Light Yagami secured the Kira Task Force position to consider himself the same. She was the one with the money, the prestige, the social standing and the sole occupancy of an apartment. She bought her own furniture, clothes, make-up and every other possession with her own funds, including the phone and its network charges that she presents to Light and pays for on his behalf.

Even when Light gets a job and asks Misa to stop working as per social expectation, she could (and does in the Death Note movies) return to her career at any time.

Misa Amane as the Archetypal Anime Genki Girl

In most fan imaginings, Misa-Misa is Death Note's very energetic answer to that stalwart of anime character archetypes - the Genki Girl. She shouts, screams, rushes about, glomps, squees and generally acts like the average three year old on a profusion of E numbers. Or, indeed, E.

There's plenty of scenes to throw into the mix in support of this designation. Yet look more closely. Shouldn't that be every scene?

In reality, Misa seems to switch Genki Girl on or off, or applies attributes to a precise level, depending upon the situation and who's watching. She's like someone who's read all about Genki Girl and figured that she can pull it off, so goes for it whenever the persona will cover a multitude of personal sins and/or throw people off the scent of her actual intelligence.

Take for example her meeting the Yagami women, whilst visiting Light at home. There Misa is the epitome of maturity; a demure Japanese lady full of politeness and decorum, give or take the length of her skirt. Yet outside, alone with Light on another occasion, she glomps him with all the enthusiastic screaming passion of the Genki Girl personified, now that his mother isn't watching.

Nor does she bamboozle Yotsuba Kira Hidechi with a steady stream of relentless words. Those she chooses are articulate and leading, with adequate gaps in between for him to speak enough to condemn himself.

Meanwhile, there's absolutely nothing of the motormouth, highly animated and over-emotional Genki Girl in Misa when she's detained by L as suspected Second Kira. To be fair, she's also in a full-body straitjacket, so none of that excessively expressive movement is physically able to be on show.

Yet you get the impression it wouldn't be either.

Hidden Reserves of Strength in Misa-Misa

That prolonged scene in a straitjacket, effectively being tortured into submission by L, tells a lot about Misa Amane's true strength of character.

With his arms handcuffed behind his back, Light plays the game in full knowledge of his Kira-hood for a week, then gives that contextual understanding up. Within three days, he's pleading, begging, demanding to be set free, sure that he's not Kira and adamant that he's going to say so repeatedly.

Meanwhile, Misa Amane remains silent and strapped upright to a board, blind-folded, devoid of human contact beyond an electronic voice communicating through a speaker. Not a single word uttered in condemnation nor defense. Nothing whatever to make it worth her torturers' time in detaining her.

When she eventually does feel herself cracking, she finally does speak, but only to ask Rem to kill her. The words enigmatic without context to those listening on. The remainder of her days tortuously attached in that position in a state of near sensory deprivation would have been passed without knowledge of Kira nor her part in the Death Note killings. Yet she still doesn't say much nor beg as Light Yagami did.

Coming to the conclusion that she's been abducted as per her fame, Misa intelligently attempts to humanise herself and make a deal with her abductor.

L eventually has to let her go for the sake of nothing incriminating being divulged to prove her role as Second Kira, nor to use as evidence against Light. How many others could have withstood so much under torture? Most in that position would be agreeing, admitting or issuing confessions to all and sundry, just to make the torture stop.

Misa Amane: Worldly Wise and Self-Possessed of All her Assets and Skills

Nobody is suggesting for one instant that Death Note's Misa Amane is some unsung genius (though an interesting case might be made for that). However she certainly isn't the dim-witted, unaware character so many make her out to be.

She has drive, intelligence and self-knowledge enough to ensure that she gets what she wants, through a considered application of the attributes and tools in her personal arsenal. She can definitely identify goals, pinpoint way and devise strategies to achieve them, then action those tactics with usually astounding results.

Mostly Misa is fabulous at keeping herself under the radar by ensuring those around her think she's too stupid to understand much that is happening.

However, she proves time and again that she can read situations - and especially people - with a keen accuracy. She can be cute enough to sexually manipulate the men; childish enough to annoy or delight, but never be taken seriously enough for people not to scheme in her vicinity. She sees more than she ever lets on.

She can charm anyone, and uses that to great effect to get people waiting on her hand and foot.

However, when the occasion calls for it, Misa's intelligence shows all the above to be the veneer of an actress. Probably a psychopathic one at that, but certainly not the Genki Girl that she's studiously manufactured her self-image to be.

Do you agree?

Published as Part of

5 Comments

L Theme Park Attraction! Universal Studios Japan Join with Weekly Shonen Jump to Bring Death Note to the Tourists

10/5/2016

0 Comments

A theme park in Osaka will be taking day-trippers into the Death Note universe with L right alongside to ensure no-one gets themselves killed.

Because he was always so good at that...

Universal Jump Summer marks a collaboration between Weekly Shonen Jump and Universal Studios Japan. Running throughout the summer months of 2016 at the latter's tourist attraction, the event will bring to life major characters from manga and anime.

That includes Death Note detective L, who'll be recruiting rookie investigators (that'll be you) to accompany him through a role-playing, puzzle-solving, live action game entitled Death Note: The Escape. It will be built on the back of other Death Note themed Real Escape games, that have been running in cities around the world to mark the manga's 10th anniversary.

Additionally, the theme park will regularly host theatrical performances featuring another stalwart of the genre. One Piece Premier Show 2016 tells a story especially written for the event.

Unfortunately, visitors to Universal Studios Japan will have to pay extra to enjoy either of these anime-based attractions. However, their general admission price allows for free access to the third one - Dragon Ball Z: The Real 4-D. Not too much further information there, other than our hero Goku will be fighting the evil Frieza.

Yeah, whatever. Our lot will be with L, taking on the truly nefarious designs inherent in a locked door. And if you don't think that's dangerous, then you seriously never read Another Note. Hold on. Ok, so our guide looks like L. Fine. But someone must have double-checked his jam eating propensity.

Haven't they?

Enjoy going beyond in the Universal Jump Summer 2016 Death Note Real Escape event.

0 Comments

Death Note Tarot Tales V: Kira's Magician Versus the Wammy's Magi - Divine Wisdom and Poetic Justice in Death Note

8/5/2016

0 Comments

Every epic journey must begin
with a step upon its routes, roads and Ryuk directed by-ways.

Every great destiny must have a destination.

Explored against
the back-drop of Death Note,
the Major Arcana Tarot cards
feature the realm of The Magician

~ written by our guide into
all things esoteric
Tarot Mikami

Death Note Tarot Tales on Death Note News

Welcome seekers after sama, kana and qi! You won't be the first to want to reverse your life's fortunes; otherwise embrace words to change the world; take steps to transform yourself into a hero; divert humanity away from its current perverse course; perfect its core that all may sing together - refraining from discordance, aligned in peace and harmony; gain insight into the working of the universe; realize your dreams; reach for the stars; sail across the cosmos and converse with the divine; enchant and charm Kannon at the gates of wisdom; seize manna from the Gods; invoke matter from the kether; traverse the mysteries and become God of this New World.

It's not unknown.

But no matter what foolish idea inflames your passion and ignites your will. Before you take your first steps onto the path of making it real, you will need some guidance. Sound the intro, maestro! And enter The Magician.

The Many Roles of the Tarot Magician

The second card of the Major Arcana starts the story proper. It stands at number one, as The Fool is zero. Without meeting or becoming The Magician, the Fool is merely a broiling mess of notions, running around like a headless chicken with no direction in which to pursue them.

If nothing else, the Magician is a doorkeeper - providing access to another (or the wider) world, opening a gateway onto an appropriate path, or acting as a way-marker signing the route to take. Usually this role contextualizes the bigger picture and sets out the destination. The Wise Man is concerned with destiny. Though the advice should be taken indiscriminately.

The Magician isn't necessarily on your side. The guidance given or the way forward illuminated might be a service provided in all innocence and altruism. Nevertheless, he/she has an agenda of their own and the knowledge to manipulate others too.

They may play a dual role - making Mafia profits sky-rocket, whilst diverting its resources into capturing a Death Note - and could as easily be trickster instead of consigliere.

Or a charlatan. This all-knowing being may present themselves as God, then turn out to merely be a man and a murderer at that. Worse still, a serial killer implicating you in the guise of the great detective L.

But the differentiation isn't always that clear cut either. Nothing so black and white.

The Magician juggles many roles, generally playing all the same time; multi-tasking meaning depending upon who is being addressed. One person's terrorist being another's freedom fighter and all that, while the manipulation might be to save yourself from yourself, or to aid a greater cause.

Either way, The Magician will certainly give our hero something to ponder and a route (or twelve) to take next. There's the potential for destiny-laden adventure and opportunities lessons to be learned here, if only never to be that gullible again.

The Meaning of Magician in the Major Arcana

Christians are most familiar with The Magician as the Magi - Three Wise Men in modern versions of the Bible; twelve Pharisee priests in the closest we have to the original - who visited the newborn Christ with gifts.

For everyone else, the name has largely denigrated to the level of sleight-of-hand illusionists and tricksters on stage, or grown fantastical in figures from stage or literature like Gandalf, Merlin and Obi-Wan Kenobi.

It used to mean so much more. The hints of it permeate our lexicon. We glimpse their greatness in words sharing the same root, like magnate, mega, magnitude, magnus, magus and majesty. That last also containing a hint of their skill as spokespeople, mediators, lecturers, teachers and orators - 'gest', as in 'jester', 'gesticulate', 'gesture' and the 'gist' of a story. It comes from Middle English 'to recite a tale', originating in Latin 'geste' or 'gesta' 'to perform deeds; to act'. By the time it hit 13th century France, 'geste' meant to 'narrate an heroic tale'.

Stories could (and often still do) command the will of a people. Which is why governments today are so keen to pressure the press into toeing the party line. In Medieval Italy and France, which is where our earliest extant tarot cards were made, the majesty of magicians led to them adjudicating in delicate matters, acting as counsellors or speaking on behalf of less learned individuals.

The Magicians as magisters, in fact, or magistrates. That 'gist' sometimes turning into its other form of 'iurare' to bring us to jury, and conjurer; or 'joculate' as joker or juggler. Wise counsellor or trickster indeed. Furthermore, the French word grammairien referred to 'learned men; magicians', whose ability to know the power and perfect usage of words gave us 'grammar'.

But akin to magician is also master, maestro, mahatma, maharaji, maharishi, yogi, guru, the one who knows. The Japanese would call them dai-sensai, or O-sensai, doshi, Rōshi, or know them as sifi. In addition to great wisdom and skill, The Magician brings into play the tools that the Fool might need t0 embark upon their journey.

In ancient Persia, the Magos were the learned members of the priestly caste, adept at astrology. They could give you the overview of your life and destiny, as it was written in the stars, taking in the knowledge of what constellation was on the ascendency or ruling within a certain house. It was up to you what you did with that information and how you let it guide your lives.

Over the centuries, their spiritual descendants have been known as the adepts in a variety of other fortune-telling, mind expanding, soul perfecting or perception enhancing skills. For example, those magnificent seekers delving into the Kabbalah/Cabala/Qabala as scholars, scryers, practitioners, occultists, alchemists, diviners, philosophers, Hermetic code-breakers and ceremonial magicians.

Enlightened beings who know The Way and what it might mean for you. But if it's shared - and done so entirely, selectively or else strewn with misinformation - and how that translates into relevancy for your own life's destiny, only a Fool can know in passing through the realm of the Magi.

The Magi In All Their Guises: Major Arcana Death Note's The Magician Card

The Death Note itself can be seen as falling right into the realm of The Magician. In fact, it's practically the Three Magi represented here in the notebook, as its role is considered in relation to Light Yagami.

Firstly Light has to find the shinigami's notebook, which serves the dual purpose of opening his eyes to the existence of a world beyond his own and highlighting its possibilities. Hitherto unconsidered (or disbelieved) realities are presented as a pathway upon which to forge his own destiny. It's the Tarot Magician as gatekeeper, signpost and luminary of higher knowledge.

However, its also the Trickster, or Charlatan, insofar as the falling Death Note serves Ryuk's agenda first and foremost. Its presence on Earth is set to alleviate the shinigami's boredom. Light will pick it up and, primarily believing it an elaborate prank, use it to the detriment of his own future. Not only will it curse his living years, but condemn his eternal being into the dissolution of Mu. This ultimate destination for Death Note users means that a destiny is foisted upon Light Yagami, manipulated by ignorance and curiosity into foolishly using it without fully translating all of the rules beforehand.

The Death Note wasn't on his side, nor against him. It's an item; a thing without judgement nor partiality. It serves an agenda encapsulated by itself. ('I am that I am' is the So'ham Sanskrit manta; also viewed as the Word of God in Christian mysticism; or 'As above, so below; so below, as above' in Hermetic teachings. All very much part of The Magician's inner knowledge, and here beautifully descriptive of the Death Note too.)

Secondly, Light actually reads the rules written inside the Death Note. Here the shinigami notebook becomes The Magician as a teacher; illuminating the arcane knowledge needed to utilize this supernatural tool. The rules themselves inspire possible ways in which Light may now traverse in order to fulfil his projected destiny.

Even more dramatically comes that third moment of the notebook of death as The Magician in Death Note. That's when the touch of it allows Light's mind to access his memories, previously locked away through rejection of the artefact. Perhaps it's not quite what the ancient Magos would view as accessing the higher self, but it serves the same purpose within the storyline. In an instant, Light Yagami's ignorance is dissolved, when the doors of perception are well and truly opened upon his past. His destination now reached, just as planned.

The Magician as Death Note's Gatekeepers and Arbiters of Destiny

Ryuk is another obvious contender for The Magician's Death Note tarot representative. His appearance directs the plot in a myriad of ways, not least because it clarifies Light Yagami's overview and destiny.

Just like his notebook, the shinigami confirms the existence of previously unknown layers to reality, broadening Light's horizons and information base.

Ryuk stands as guide and gatekeeper to the shinigami realm. Not only can he speak for and translate the Gods, he is one.

Whilst denying Light access to any such services, unless the whim of the moment takes him. Because he can.

The shinigami also acts as arbiter of knowledge concerning eternity and deals available to human users of Death Notes, which he does deign to share. Albeit selective in his choice of snippets to pass on, and deliberately obtuse in the timing of all such communication.

It's too amusing for him not to cause maximum frustration in thus trolling his human Death Note user.

Which all fits in completely with the reason for him being there, performing his role as Earthly sage and sometime mentor. Openly not on anyone's side - but that of his own amusement - Ryuk is the Trickster Mage personified.

His entire performance is dedicated to his own agenda, aligning with those of others only where each party's motives/tactics run in tandem. Or he's persuaded that the potential for entertainment is strong.

The Death God is, after all, quite bored and he's here to alleviate said tedium. Everything that occurs must factor that in first, as top priority, because it's certainly the only reason Ryuk is acting in any capacity right now.

L's Messenger Mage Watari: Herald, Spokesperson and Point of Contact

As gatekeeper to L, Watari's intervention at the Interpol meeting is pure Magician territory.

Not only does it alert all present to the avenue of inquiry now opening up due to the detective's interest in the Kira case, but it allows Matsuda - thus us too - to discover L's existence in the first place.

Thus the Fool takes the first step out of innocence, ignorance and a lack of context for the world.

For the veteran law enforcement agents there, Watari represents destiny in a very practical sense. They don't need to discuss the way forward in their investigation now, because L is involved. He IS the way forward; an option for the situation to be passed up to a higher authority.

(Sneak preview for a later major arcana card - The Hierophant describes L for those with knowledge and experience of his work.)

For Soichiro and Matsuda, Watari's position is doorkeeper to destiny in a much more ethereal way.

To one it will prove downright Fateful, while the other will reach the proposed destination (catching Kira) changed beyond recall.

Destiny's Magister: Roger Ruvie, The Wammy House Ringmaster Tolls Part Two

Roger Ruvie as the Magician in Death Note tarot

One day, Wammy House warden Roger Ruvie will be Watari too. His role will encapsulate The Magician in just the same way as Quillsh Wammy, as described above.

Nevertheless, in that Fateful moment imaged as tarot arcana (left), Roger already illustrates several aspects of The Magican card. Each face or facet exhibited simultaneously.

For a start, he's a messenger, delivering the news that the children's idol and surrogate father are both dead. Divining correctly the information received from a transmission's ending. Liaison, wisdom, enlightenment, all wrapped up in that single act.

He's doing so as Wammy's House administrator - which has its root in 'ministry/minister' and from there becomes entrenched in symbolism linked with The Magician. Minister meaning to 'act on behalf of a higher authority', hence a minister of the state in politics or the church (it literally meant 'priest' in Medieval Latin). It gets its secretarial sense from the French, where it became 'servant; overseer; watcher; manager'.

But may also relate to inspiration of a more tuneful note, hence minstrel and musician are both cognitive words. Each obviously pertaining to The Fool, yet The Magician too, as the latter can be former in receipt of self-awareness, context or knowledge, thus driving their own actions.

It all becomes much more blatant, when another cognate is brought into the mix - magistrate or magister. One who directs or adjudicates; making decisions; laying down the law.

Roger is authorized to tell a twelve and fourteen year old that their idolized foster sibling and beloved guardian are dead. Yet nothing of sentimentality here. His job is to collect children from around the world, bring them to The Wammy House and train them as potential successors to L.

His results are majestic. After coldly dismissing Mello's emotional outburst, the first question asked was which of them was chosen as heir. No querying the fact that kids are about to be sent into an arena which killed two adults, one purportedly the world's most genius detective. No options considered.

This Wammy Ringmaster magisterially sends both kids to fight round two; their destination seeming less destined than Fated, with such news extolled like passing bells, louder than ever tonight.

Mello the Consigliere: Death Note Mafia Mage with a Dual Agenda

Mello exemplifies The Magician with a dual agenda, while acting as consigliere within the Mafia family headed by Rod Ross.

It's similar to the previously examined outlook of that other magnate Ryuk, but Mello's motivational duality holds some important differences.

The Magician acts by manipulating an individual's lack of essential knowledge or wisdom. However this doesn't necessary occur every time, only when it suits our canny counsellor's alternate agenda to do so.

Sometimes the concerns will align for both advisor and their directed individual; sometimes not. Regardless, the interests of the latter do not factor into the guidance given by this Mage - whether in counsellor mode, or as councillor representing their client's views and speech to others.

Consigliere (or consigliori) - Mello's position in the Mafia - meant both by the way. Though technically describing solely the counsel given to the Don, consiglieri (in manga and in life) also fulfil many other roles ruled by The Magician. Including, but not limited to, mediating in conflict; liaising on the Don's behalf with important contacts and/or authority figures (judges, police etc.); and keeper/archivist of secrets for the entire Family's, so to retain an overview and warn if trouble may be caused, for example, by a capo acting rashly through ignorance of matters concerning another.

Mello seems to be a good consigliere. At one point Rod Ross is moved to comment that the genius teen has never been wrong in any decision made since joining their Family.

However, no-one should lose sight of reality. Mello was just using the Mafia to achieve his own goals.

The wisdom imparted by Mello as consigliere causes Rod Ross's profits to sky-rocket. Yet those and all other available resources are soon diverted into serving Mello's ambition to secure a Death Note.

After Mello achieves his goal, thus placing a shinigami notebook in the hands of his Mafia family, all agendas probably fell in line, shared and indivisible. For a moment, indeed it seemed to Ross et al that they had absolute power.

And then, in the next moment, they ended up dead. Mello using the lives of the last ones standing to make good his own escape.

Sakura TV as the Charlatan: Showmanship Masquerading as Wisdom

Death Note Tarot The Magician Sakura TV Charlatan

When Sakura TV appoints itself as the voice of Kira, it's an attempt to appear as The Divinely Ordained or Enlightened Magician.

As studio boss and anchor-man, Demegawa's overall aim is to trick unsuspecting individuals into believing the station has some conferred higher knowledge. Therefore attempting to gain the same trust or power given to The Magician.

Or in this case, boost ratings.

The Magician can well act as spokesperson for the people/individuals in dealings with authority, or magistrate dilemmas and/or direct juries. They can certainly translate the divine for those less versed in the sacred mysteries. However, its beholden upon us all to beware false prophets.

In its more negative (or domineering/pompous) aspect, our spokesperson Mage might not say what we wished them to convey.

Think politicians declaiming sentiments which make us cringe or cry, all in our name; or the journalist who twists your words, yet 'quotes' you all the same, in pursuit of a sensational story bearing no relation to what actually occurs; or the parent/guardian/teacher expressing their own views as if they were automatically shared by yourself, ignoring or over-riding any attempt at dissent.

While Kira may experience Sakura TV's antics (in the persona of Demegawa) as the above, every other viewer is watching a charlatan or mountebank in action. A pseudo-priest or trickster mantis preying upon the gullibility of their television audience turned congregation.

On the flip side, even the False Magician may inadvertently act as teacher. The lesson today from Sakura being not to believe everything you hear on TV.

(Particularly when tabled as a Trump; donkey imagery warns us off, as seen below The Magician's board in some ancient tarot decks. Mistake the babbling showmanship of this charlatan for wisdom, and your only sure destiny is to be made feel like an ass.)

Kiyomi Takada: Enlightened Divine Messenger of Death Note

I don't remember who said it, but the quotation snagged in my mind.

Someone was told that David Icke - the footballer turned commentator and write - was now telling all and sundry that he was the Son of God. There was a pause in which the informant gleefully awaited the witty put-down that was sure to follow concerning the subject of their gossip.

"Well?" The other slowly asked. "Has anyone checked if he is?"

And therein lies the rub. How does one verify such a claim? And if we can't, then how do we know for sure whether they're a mounteback babbling lies, or insane, or someone Cassandra cursed to be disbelieved in all the divine truth they tell?

The Magi would know. It tends to be them. Whether reading the portents in divination; searching arcane knowledge to uncover higher truths; or acting as intermediaries between the Gods and us, as the priestly caste or ministering on career paths.

Just occasionally, we get the real thing. Magos aglow with the numen nod - enchanters, prophets, seers, the chosen and invokers; attuned to the Great Music and entrancing with utterances lifted from source; merely mediums through which the universe flows.

Or television anchor woman/newscaster, who just happens to be the right person, at the right time, with a matching warped sense of morality and all the right contacts to be the Messiah.

The divine intermediary aspect of The Magician is represented quite literally by Death Note's Kiyomi Takada, twofold.

She performs her role as Messenger of the God(s) in that Takada is the actual, publicly appointed spokesperson for Kira; while also being the conduit that allows both Kiras - Light Yagami and Teru Mikami - to communicate in open conversation.

No charlatan this. Blessed Takada performs with gravitas; notably refined before this even began. Now perceived by the ever-growing faithful as gentle, radiant, the real thing and absolutely full of grace. Buying into and believing all Light says; mind mired and amazed beyond all rationality.

But then it was always thus:

Quem Deus perdere vult, dementat prius; quem di diligunt, adolescens moritu.
Those the Gods will destroy, they first make mad; and whom the Gods love dies young.

Le Bateleur Matsuda: Sleight of Hand Illusionist in Death Note

The Magician Matsuda - Death Note's Le Bateleur

Le Bateleur is the aspect of The Magician most familiar to us in the modern world; give or take a few fantasy movie mages, and their counterpart skills offered as an option for gamers.

This is the stage magician; the conjurer; the sleight-of-hand trickster; the illusionist; the abracadabra, now you see it, now you don't, bateleur drawing in crowds and thrilling them with misdirection, misinformation, smoke and mirrors distraction, before delivering all enrapt and gasping with awe to that climatic moment of The Prestige.

Le Bateleur - and its cognates Il Bagatto, El Bagatella, Bateleuse - refers to this tarot figure's stick, rod or, ta-daaaa, wand.

This aspect of The Magician appears throughout the Death Note series. There's even a whole chapter, in Death Note 13: How to Read, devoted to explaining all of the tricks inserted into the storyline by Tsugumi Ohba.

The Death Note Magician tarot card we've chosen to depict Il Bagatto in action features Matsuda faking his own death. Before a stunned crowd of Yotsuba corporate executives, he pulls off The Prestige in garnering their belief that the dressed up Aiber far below on the ground is Matsuda's mangled corpse. Meanwhile, Touta sits safely on a mattress a mere one floor below.

However, we could just as easily picked any of the dozens of scenarios, whereby Death Note's conjurers wash over truth with a new reality, attested by witnesses swearing on oath that they watched throughout.

Like when Light becomes aware he is being watched by surveillance cameras. He quickly acts to manipulate the evidence by a tricky sleight-of-hand illusion.

To the onlooker, it would appear as though he was only studying, while taking those potato chips and eating them. The reality being that Kira was killing criminals with a piece of the Death Note hidden, alongside a miniature TV, inside the chip bag.

Even L was fooled by that one.

So what's your favourite showing for the tarot Death Note Bagatella? Just to check that you kept observing, through all there was to see.

The Three Wise Men (Wam-Magi?)

In the time of Watari, after Kira was born in Japan, wise men from the Wammy's House in Winchester came to Kanto, asking, "Where is the murderer who has been born God of the New World? For we observed his kill count at its rising, and have come to take him down."

When Takimura heard this, he was frightened and all world leaders with him; and calling together all the Kira Task Force and NPA public relations officers, he inquired of them when the Kira was to be arrested. They told him, "In the Yellow Box Warehouse; for so it has been written by Near: 'And you, Takimura, in the land of Japan, are by no means going to know a thing about it, because Mello would have got you killed by then.'"

Then US President David Hoope secretly called - via Watari - for the wise men and begged each in turn to stop threatening to control him into doing worse than Kira, whenever any of them get hold of a Death Note. Then he sent them to Kanto, saying, "Go and search diligently for Kira; and when you have found him, bring me word so that I may also go and pay him homage."

When they had heard the POTUS, they got him killed and replaced with George Sairas; and there, ahead of them, went the star Misa Amane that they had seen rising as Second Kira, until she stopped because L had her tortured. When they saw that the Japanese idol had started begging to have her life ended, they were overwhelmed with joy.

On entering the Warehouse, they saw the megalomaniac with Mikami his worshipper; and Near knelt down (the other two forced to too, as they were now dead and puppets). Then, opening their treasure chests, they offered him gifts of cake, Transformers, and chocolate.

And having painted a vivid picture for Ryuk warning of a future bound to a Death Note now stuck in Near's vault - while Light languished in a prison for the criminally insane for life - Near successfully manipulated the Death God into taking out Light before returning to the shinigami realm. Then the Three Wise Wammys left for their own country, where verily two returned to the toy box and Near took L's Code for himself. And probably Mello's too.

Hold on! One missing from this listing of The Wam-Magi as read from the Book of God's New World:

Bored out of his mind, Il Matto stayed put in Winchester, playing SuperMario and thanking the Gods of the Internet that Kira never came with cyber-terrorism on-line. Else he'd never have been able to get away with hiding behind his lazy, mad, wise Fool routine; playing Tetris instead of getting himself killed in someone else's war. So wise he only ever ranked third and remained forever Il Matto. He probably wouldn't have amounted to much anyway. Beep, beep, lulwut, nub?

Ok, I've stopped now.

As if by Magic - More Death Note Tarot Tales

Posted as Part of

0 Comments

Watari's Moment: Poignant Wammy Fan-Fiction Penned by DeathNotegirl3675

7/5/2016

0 Comments

Fan-Fiction writer DeathNotegirl3675 hails from the USA. As the moniker may have already implied, she deems herself 'obsessed with Death Note'. Originally her Death Note Watari stream of consciousness drabble was posted on DeviantART, where she wrote, 'I know its quite dark and sad, but I really hope you enjoy anyway!'

Watari's Moments by DeathNotegirl3675

He's been having this feeling for days now.

The unshakable, unmistakable feeling of dread, creeping up like a looming shadow.

Watari takes out his pure white handkerchief, and lightly dabs his forehead as he rests on the kitchen table. The friendly and inviting aroma of freshly made cake wafts around the room, making his dark premonitions something of a ridiculous thought.

His grey moustache furrowing into something of a half-hearted smile, Watari looks around the room.

This.

All This.

L what a wonderful man you've turned out to be.

My prodigy.

My son.

What a crazy life you've lead.

Watari remembers when he first found L that fateful day. With a messy head of raven hair, and grey eyes that stared into your soul.

Yeah, Watari remembers.

He remembers the way he stood, with a grubby lollipop in one hand, and a coat that was too large for his small body. He remembers the half-hearted, sad, broken smile that was on his face.

Yeah, he remembers.

He remembers the day when the little prodigy finally opened up to him. The day when they connected. The day L put all the trust his tiny little body could muster into the palm of Watari's hand.

Such fond memories...

He remembers the heartbreak. He remembers the trial and error, and the strength that pulled them through, together. They were a team, though all of their problems. He remembers their cases, and L's genius.

As time ticks by, Watari knows.

He knows its nearing the end..

The end of such a beautiful journey...

Then he feels it.

That thud within the burrows of his soul that stops his heart dead in its tracks.

no.

Oh God please no...

Let L be ok.

As his handkerchief floats delicately to the ground, and Watari is brought to his knees,

He knows.

A smile forms on his face; a knowing, wise smile.

L

Thank you for the memories...

Posted as Part of

0 Comments

Thorns of Death: Wammy House Fan-Fiction by Aerial Sky, Plus Advice on How to Write Watari in Death Note Stories

6/5/2016

0 Comments

Multi-talented Aerial Sky has shown up in a variety of guises for our Death Note Month of features. Last time, it was as a cosplayer for Matsuda month. This time she's sharing her Watari fan-fiction and talking us through the process of writing it, all as her contribution to Month of Quillsh Wammy. Discover more from Aerial Sky at her DeviantArt AerialSkyCosplay account.

Thorns of Death by Aerial Sky
- Watari Death Note Fan-Fiction

"What's wrong with her?" L questioned, frowning as he sat on the bed beside A. "Watari, why won't she wake up?"

But Watari hadn't spoken in hours. Ever since he had brought A from the coffee shop to the hotel, he had been silent. Did he know something? Had he known this would happen?

"Watari. Why won't she wake up? Is she dying?" L had an excellent poker face, but it was so tempting to let it fall. But he hadn't cried in years. Not since he was younger... He had built walls to protect himself.

The elder man sighed audibly, causing L to glance at him curiously. "She will be okay for now."

L paused, waiting for him to say something else. But he didn't. "For now? So she is dying?"

Watari's face was grave. "I was anonymously informed of this event beforehand. I thought it was some practical joke, but now I see he was being truthful."

"What are you talking about? Who called you?" L had never yelled at his father before. Not once. But it was hard not to. He had known that A would collapse like this, and he had done nothing to stop it from happening. "Who called you, Watari?" L's voice rose.

Watari had never seen this side of L before. It was hard not to be intimidated. He seemed... different. Evil. Capable of anything. "I could tell it was a man, but the number was untraceable, and I couldn't tell who it was."

"When did he call? What did he say?!" L was getting desperate.

"He simply said that A would be delivered to us in a few days time. He said her mind wasn't in the right place, and she wouldn't get better. He said she had the Thorns of Death."

"Thorns of Death?" L asked questioningly. What in the world was that?

"He said she was not who she seemed, and she was dangerous."

Dangerous. A. Dangerous. Those two words didn't go together. A would not even hurt a fly. "You're wrong. She's still the same. Just a bit more anxious and paranoid. Watari you didn't talk to her. She's still the same."

"Ryuzaki, she needs rest. Whatever this is that's hurting her, we need to leave her be for now."

"I'm staying with her. I'm not losing her again."

And Watari didn't argue, for as much as L tried to hide it, he saw that streak on his cheek. He knew L was serious. He never cried, so this had to be important.

"Tell me when she wakes up. I will do some research."

Death Note Watari reaching, L watching - Watari death

Aerial Sky's Tips on Writing Wammy in Death Note Fan-Fiction

Aerial Sky cosplaying L - Death Note News

Aerial Sky in her usual guise - cosplaying Death Note's L

Do you/have you written fan-fiction about Wammy now or in the past?
Sort of - I'm working on one right now

If yes, any anecdotes/background info about your experiences as a Mr Wammy fan-fiction writer?
I have included his character to build the story and suspense, but I am mainly wanting to make Watari as close to the manga and anime. I want him to be as accurate as possible, to avoid confusion and plot gaps later in the story.

Regardless of whether you have done this, how would you go about writing Mr Wammy fan-fiction?
Depending on whether it is a serious, dramatic, or comedic story, I'd say think about how you imagine Watari acting. He is normally a polite butler/father figure for L, but he has another side to him that is dangerous. For suspenseful or dramatic stories I would like to see his dangerous side.

What attributes, scenarios and/or characteristics are essential for bringing Watari to life in story-form?
His personality is interesting. Usually he does what L wants him to, and he protects L to make sure he is safe. In that sense, I take scenarios from the actual manga and anime and put it into the story to fit it.

How do you go about teasing out the fine detail in characterising Wammy, so to seem realistic to readers?
I take how he acted in the manga and anime and use that information to imagine him as accurately as possible.

How do you go about finding plot bunnies and beginning your Quillsh Wammy story?
I try to detail almost everything in the story, so that later the reader doesn't ask themselves "Where did that come from?"

In your experience, what are the common mistakes made by fan authors writing about Watari?
I think they make Watari out of character, which is something I try hard to avoid. When he does something that I don't see him doing, it's hard for me to see that scene play out in my head.

Any last tips for anyone reading, who wishes to start writing fan-fiction about Mr Wammy?
Always write things that interest you. If you aren't interested and care about it, then the reader won't either. Just be yourself, and express your feelings in your words.

Death Note Fan-Fiction Writers!

Would you like to contribute Death Note fan-fiction to one of our character monthly events?
And/or complete the questionnaire giving your take on how to write Death Note characters in fan-fiction?
Check out our Fan-Fiction Author Questions posed with you in mind.
And thanks in advance!

Posted as Part of

Death Note Month Quillsh Wammy Death Note News

0 Comments

Watari Letters: Death Note Canon Alphabet of Wammy Kids: L-Z

5/5/2016

0 Comments

"Watari, from now on you must safeguard the world with the other Letters."
~ L, L: Change the World, p 17

Welcome back to our ABC list of known canon Wammy kids alongside the letter to which they were (or most probably were) assigned.

The Wammy House for Gifted and Talented Orphans is the intriguing institution which features so prominently in Death Note, or at least its alumni form the centrepiece of the war against Kira.

Each genius child raised there is afforded a bespoke education, side-stepping the normal system of classrooms, with professors, researchers and other experts in their field brought in for one-to-one demonstrations and tutorials.

Graduates get to enter The Wammy Foundation, a shadowy organisation founded by the man who raised them - their childhood benefactor and adulthood allocator of a single Letter which meant so much - Quillsh Wammy, aka Watari.

This alphabet of Letters from Wammy's House investigates the ethos and histories of each recipient for clues as to the character and motives of Wammy himself.

Death Note The Wammy's House gatepost sign

Death Note Wammy Letters' Alphabet Pt 2 - L-Z

Read the first part: Wammy Alphabet A-K

Watari, also known as Quillsh Wammy, had used the enormous earnings from the patents of his many inventions to establish the Wammy Foundation, an organization dedicated to building orphanages around the world.

Among them, one orphanage took in highly intelligent children from around the world without regard to nationality, race or gender and provided them with a specialized education. The orphanage was called Wammy's House.

There was no formal school or academic departments at Wammy's. Instead university professors, researchers and top specialists in their fields from around the world were invited to give individual instruction to the children according to their abilities and potential.
~ L: Change the World, p13

Near in the library Wammy's House Death Note

Death Note Mello and other Wammy House kids dining

L - Wammy Kid The Last One, or The Lost One - True Name L Lawliet*

* This is the name that features upon a collectors' card fitted as a bonus gift inside the back fly-page of manga manual Death Note 13: How to Read. It's also the name recorded in a Death Note, as seen in the Japanese live-action films.

However, in the novel Another Note: The Los Angeles BB Murder Cases, narrator Mello wrote that L was in possession of well over 3,500 names and pseudonyms to hide his personal identity. Mello postulated the theory that even L didn't know his own true name any longer.

... the name L was, for him, just one of many. He never had any direct connection to that identity, he never thought of himself as L... L had a real name that nobody knew, and nobody will ever know, but a name which only he knew never defined him. I sometimes wonder if L himself ever knew exactly which name was written in the Death Note, which name it was that killed him.
~ Another Note, p43-44

Though M (presumably Mello again) subsequently contradicted himself one book on - in the novelization of the movie L: Change the World - when he casually informed the reader that only L and Watari knew his real name. Thus able to facilitate the key plot-line underpinning this variant of the story, wherein L won his war against Kira effectively by committing suicide via Death Note.

However, this was an alternate universe to that recounted in the manga and anime, wherein M as Mihael Keehl's Mello never existed, begging the question as to who is writing this novel now. Unless it's Maki, grown a little older and brought furthermore into the Wammy House loop. The fourth generation Wammy to be assigned that code-letter M, in lieu of poor, lost Mello, omitted unmade and erased from the record for this telling.

Anyway, onto the plot.

He wielded incredible power, was able to mobilize every investigative bureau in the entire world, and was applauded generously for his efforts.
~ Another Note, p10.

L is the one about whom the whole of Wammy's House, its founder, staff and children, plus its attendant Foundation revolves. He was the first of those genius orphans afforded special attention, a tailored education and a letter to use as his name and his calling code.

By accident, precedent or design, he set the standard whereby all other Wammy kids are measured. They are supposed to be precisely him and if they best him, they get his code.

But that's highly unlikely to occur.

As Beyond Birthday found out, beating him is one thing; it's quite another to persuade Wammy to relinquish his obvious favourite, so to divert resources and his personal support towards a more worthily ranked ward.

That was a pattern which began on day one, when Wammy brought the tiny orphan L into Wammy's House and left him with his peers in the ornately stained glass windowed main hall.

The other children rushed to give him a hug - cute, new, big-eyed boy and all - but that panicked L. He was only about eight years old, but managed anyway to beat up and floor boys and girls much bigger than himself.

Instead of reprimanding him and ensuring that he apologized to the kids and teens groaning against the floorboards all around, Mr Wammy thought this rather fabulous. Presumably the other orphans were shortly deprived of familiarity, friends and home by being relocated to sister establishments in the chain of Wammy Orphanages. Meanwhile, L got his own room, a computer and plenty of cooing fuss.

L managed to redeem his anti-social behaviour - if such was needed in Wammy's eyes - by perusing stock markets and advising the old man on what to buy and when to sell. In that way, the profits poured right in. That was the year that the eight year old took on the Winchester Mad Bomber and averted World War III.

Marking the moment when Wammy vowed to accept L's every decision and support him wherever possible.

From now on, the child, not the adult was ostensibly calling the shots; Watari would make good each hefty choice and passing whim spoken aloud by the eight year old.

Nor apparently was there any disapproval expressed for the dodgier demands, let alone censure or out and out refusal to comply. Watari just did it, trusting that L was clever and would be right. (Giving him just enough rope hang himself? Or truly in perfect trust of the child's truth and sense in all things?)

Therefore leading to a situation - so a canon Omake tells us, authored by Tsugumi Ohba and drawn by Takeshi Obata - wherein the adult L cannot dress himself, or attend to his own ablutions, without Wammy assisting with the fundamentals. L seen now as so intelligent that he's become downright infantile.

An absent-minded genius trope too far, or some manner of control/avenging the loss thereof/kicking back against too much of the same, or someone severely upon the autistic spectrum? Frankly it's way too tempting to assume the former, though the other options have their resonance in all other of L's famous ticks, quirks, eccentricities and prolific sweet consumption.

The latter also keenly enabled by Quillsh Wammy in butler (more like carer at this point) mode. Along with a pop, pseudo-scientific rationale that such quantities of sugary things are needful in order to keep L's brain whizzing along.

Being handed such freedom on a plate, with adults to order about too, would be heady stuff for any child. Pair it with extreme wealth and the ear of world leaders and suddenly even societal boundaries are non-existent. The possibilities are limitless, with even torture, killing and the ordering of a condemned man onto live television for his execution are not only on the table, but Watari's logistical and sniping skills will ensure all continues quite smoothly.

With a seeming lack of constriction akin to a juvenile Roman Emperor, it's little wonder that L emerges into the Death Note story with a personality self-confessedly childish, but also spoiled and cruel.

Death Note L and the Kira Task Force meet

However, a thick layer of covert constrictions hide just beneath the surface for the detective. He's been told from childhood two things - there are those in the world out to kill him; and world peace hinges upon his living in a state of constant, active and demonstrable investigations.

While the world leaders should make efforts to ensure the safety of all the finest minds... the current societal systems do not allow for this, and L believed he had no choice but to protect his mind under his own power... For a detective of L's ability, self-preservation and the preservation of world peace were one and the same.
~ Another Note, p 69

Ergo, his life is in danger, but he can't stop to save himself without imperilling the world. Not that most of the potential killers with him in their sights are that far from home.

Depending upon whether Beyond Birthday ever met L or not, it was either now or five years later - when L was thirteen - that The Wammy House for Gifted and Talented Orphans was established with Roger Ruvie at the helm. Employed by Wammy not as warden per se, but as a trained psychiatrist there to gather parentless, genius kids from around the globe, and to reshape them - body, personality and mind; self-identity changed as standard - into clones of L.

In a rare moment of introspection, L saw clearly what manner of man he considered himself to be - both inspiring and imbibing the Wammy ethos, as the one most influenced by its engineer. Amongst them all, L had the most direct, one-to-one contact with Quillsh Wammy, who set up the system and let it evolve that way. The current crop of Wammy orphans gathered together to learn what their privileged, pressurized upbringing was urging them to become.

L laid it on the line in his famous 'monster' speech. To be L was to embrace the monstrous. Just like him.

There are many types of monsters in this world, monsters who will not show themselves and who cause trouble. Monsters who abduct children, monsters who devour dreams, monsters who suck blood, and monsters who always tell lies. Lying monsters are a real nuisance. They are much more cunning than other monsters. They pose as humans, even though they have no understanding of the human heart. They eat, even though they've never experienced hunger. They study even though they have no interest in academics. They seek friendship even though they do not know how to love. If I were to encounter such a monster, I would likely be eaten by it because, in truth, I am that monster.
~ L, Death Note Relight: L's Successors

Driven home in the hearts and minds of his back-up foster siblings, over whose lives L is able to exert absolute control. Wammy, L and Ruvie colluding with potentially sociopathic abandon, in what can only be deemed 'experimental' upbringings for those children subjected in generational waves to that institution. No soaring IQ necessary to foresee tragic results in such child-raising methodologies, centring around rehumanisation at its core.

From suicide to serial killing through to the attempted pathogenic extinction of the human race, via joining the Mafia and martyrdom, Wammy kids answered their psyche's refashioning en masse.

... just as the greatest of detectives makes the greatest of criminals, a specialist in investigation is also a specialist in murder. From this perspective, this was nothing but a detective war. Beyond Birthday challenged L. And L accepted the challenge.

To put it bluntly, the Los Angeles BB Murder Cases were nothing but an internal struggle, a civil war within hour home, sweet home - Wammy's House.
~ Another Note, p106

Even Naomi Misora knew what had happened to detectives falsely identifying themselves as L, and B was from Wammy's House, so he knew better than anyone - so this choice suggests the strength of his decision. He never once intended to survive.
~ Another Note, p160

... it would certainly seem odd if (K), who was threatening the President posing as L, asked him why the US hadn't moved to kill L.
~ L: Change the World (novel), p140

In the end, it didn't matter how many Wammy kids strove to murder L. He beat them there too. No matter which version of Death Note is consulted, L kills himself. His suicide is either openly stated, as per the live-action movies, with him writing his own name in a shinigami's notebook to beat Kira; or else it's so subtle as to be barely acknowledged, hidden beneath an overlong stare at Light Yagami, circa Kira's 'just as planned' exclamation of victory.

That L had worked it out is confirmed conversely by his statement of the precise opposite. He dully enunciates that Light is not Kira, and should in fact be the next L. The mystery was solved; the game was over. Though to admit so was to lose the fun. The clash of minds that had begun with a challenge to Light Yagami, which was answered in kind. Without it, L could foresee the futile vastness of his life without that battle enriching all.

Already depressed, L said nothing, just concurred with the sentiment of Light's innocence.

It prolonged their cerebral sparring a little while longer, but it would kill L soon, as he well knew. It seemed worth the cost in the banishment of tedium and onset of fascination alone. Just to see what Light would do next, and to end the life that kept L trapped - 'a reclusive sociopath' - in Wammy's world of responsibility, self-protection and unceasing investigations. Now doomed to tedium post-Kira, plus the unsolvable crime because he would never catch Kira. He'd already let him go.

L's manga suicide was his silence. A final act of justice (belatedly) for his Wammy House brethren was in taking Quillsh Wammy with him.

M - Wammy Kid Mello - Mihael Keehl

I'm always number two… no matter how hard I try…
Mello, Death Note manga, chapter 61 (Number Two)

It's not just the notebook I'm after. I wanna eliminate my competition. I will be the best. I don't care what it takes. I'll beat Near by any means necessary.
~ Mello, Death Note anime, episode 27

In Another Note, Mello calls Wammy's House 'home, sweet home' and describes it as the place 'which raised me until I was fifteen'. (p11)

Between real time scenes from the manga (Zero) and anime (Renewal), plus flashback scenes from Near's memory in Death Note Relight: L's Successor's (and the one-shot manga), we have a fair bit insight into Mello's experience and behaviour during that time at Wammy's House.

Just as you'd except from a teenager who left the institution to join the Mafia, young Mello is shown to be a bully at while he was still there.

We see him kicking a football into another child's face. On another occasion, he's clutching another boy's hair and pulling his head down, whilst walking up the corridor.

He even attacks Roger, bunching fistfuls of the warden's lapels and half dragging him across a desk, in response to news of L's death.

None of this is reprimanded. There's no adult response at all from the first incident. In the second, Roger merely captures Mello's hand and holds it whilst untangling his victim's hair. No words are spoken about it.

During his lunge at Roger, all the older man can summon up is a vague, world-weary 'Mello', uttered like a sigh. Imagine behaving like that with your own parent or guardian, would you have received the same lack of passion in their reaction?

But apparently this is the Wammy's way and Mello is perfectly at liberty to use violence, intimidation and fear as part of his life strategy.

It's also semi-rewarded, insofar as the goals of the institution are concerned. L names Mello as one of his chief candidates for succession due to 'a nasty look in his eyes' rather than anything related to grades. While Roger follows up both latter acts of aggression with encouragement and/or expectation that the fourteen year old before him take the deceased L's position in the world, at least jointly with Near (a twelve year old).

Can we say child soldiers?

The bullying isn't all. We also view Mello as a Wammy boy apparently isolated amidst his peers. During L's 'monster' speech, Mello stands alone, away from the children excitedly grouped before the laptop through which L chats with them.

When he hears about L's death, Mello's mind flashes back to a moment in receipt of grades (pictured right). All of the other kids are flocking to read Near's paper and see his mark. Mello is left lonely and anxious reading his own. He also apparently studied alone, as the following panel demonstrates.

Probably because he's the Wammy House bully and this is the best that his foster siblings can do in their own defence and/or revenge.

Not all of them though. Near was quite happy to work with Mello, when their warden Roger suggested it, regardless of the look of utter horror twisting Mello's expression at the same time. Later on, Matt appeared from the peer-group at the Wammy House to partner Mello in the final hunt for Kira. So two people at least could have been, or were, Mello's friends there. That said, even bullies have confederates and/or a gang.

Mello goes for the biggest and the best (or worst, depending on how we're phrasing it) gang after leaving Wammy's - the Mafia. Wherein his admittance was assured despite his lack of Sicilian ethnicity (which kept Al Capone out); his posh Winchester/English accent; his youth; and his effeminate attire. All this was over-ridden by his demonstrable intelligence and the fact that he brought, as an entrance present, the head of a Mafia Don whom even Kira couldn't touch.

How literally should we take that 'bringing the head' tidbit? Are we actually talking the decapitated article in a box? Or information thereon? An alternative translation states it in the plural - 'the heads of Mafia dons, who even Kira couldn't touch'. Maybe this is the source of those skulls, with which the teenage Mafia era Mello likes to surround himself.

Nor is this the worst that Mello feels justified in ordering during those days. He arranges for the abduction of Japanese police chief Takimura, followed by the same for Sayu Yagami, both as bargaining chips to be exchanged for the Death Note in Japanese police custody. Takimura is killed by Kira in a pre-emptive move; Sayu is left catatonic with trauma.

No end of Mafia associates are killed, or pressured into giving up half of their lives to acquire shinigami eyes. Drug routes established. The President of the United States of American coerced into suicide in order to prevent Mello using the Death Note to force his hand. Like making him launch nuclear bombs around the world, thus causing World War Three. The theft of a missile. All but three of the SPK massacred as a test of the Death Note, falling around Near, probably as a show of strength for his benefit.

Therein lies the rub. It's all about Near, ergo all about Wammy's House, not really about Kira or Rod Ross's prestige and profits at all. When the pair finally confront each other face to face, the background fades to exhibit instead the stained glass windows from the institution which raised them, and continues to cast its pall over their lives right now.

Near and Mello Wammy House stained glass Death Note

For Near and Mello, the battle to become L is all. Both are willing to pull out extremities in action, thought and deed to secure the prize Wammy and Roger left dangling for them. Ultimately, Mello will give up his life simply to make it onto the final score-sheet as joint first, once he realizes that the end is nigh and he'll be second in perpetuity.

N - Wammy Kid Near - Nate River

I've wanted to make him taste his own pathetic failure with all my heart.
~ Near, Death Note manga, chapter 90

Don't worry, Commander Rester, making assumptions is part of any investigation. If we're wrong, all it'll cost is an apology.
~ Near, Death Note anime, episode 30

Giovanni: If there are shinigami, I might die, right?
Near: Yes.
Giovanni: ...
Near: If you are scared, I'll ask Lester to go.
Lester: ...
~ Death Note anime

Of all the Wammys - with the possible exception of Beyond Birthday and his peer, the institution's first child suicidee A - Near seems to have taken the directive to become L's clone most keenly to heart.

He never met his idol, so any physical emulation of his idol was accidental, or an inadvertent consequence of both boys being raised within the same system. This didn't matter. The purposes for which reprogramming children to match the prototype was deemed necessary didn't involve B-like cosplay antics. Before Kira, no-one outside the Wammy Foundation met with L face-to-face, therefore would be hard pushed to identify him in a line-up. There was a brief interlude with Naomi Misora, immediately prior to the Kira case, but L never actually introduced himself. Perceptive Naomi guessed anyway, but she had the huge clue before her of Beyond Birthday making an indelible impression whilst copying L in costume, aspect and stance.

Near's task was much more insidiously wrought than just dressing up would have been. He sought to think like L. Submerge his own personality beneath a persona modelled upon that of his predecessor, as Near believed him to be based on this own observations and insights gleaned from L's electronic address to the fourth generation Wammy wards en masse. Near didn't even ask him any questions. They never had a conversation.

Near, thinking of what L would do Death Note

Scant enough hints around which to mould a credible likeness in continuation of the L Code. Especially when it has to be enough to to fool world leaders, and high-ranking contacts - networked to no known degree in the past - drawn randomly world-wide from government, military, legal/law enforcement, intelligence, secret services and other offices. Plus those within the private sector, researchers, consultants and experts in fields raising across the academe.

With whom did L share a confidence? Who did he know? Detest? Exchange now impenetrable dialogue in language encroached in private in-jokes? All of which Near must know in order to pull this off, or else his failure is outright and absolute. 'Just a loser' in all he worked hard and aspired to be - surviving his nearest rivals; out-ranking the rest - the only source of meaning for his life. He was told. And equally raised to fear, as catastrophic on a global scale, being exposed as a fake L, alongside the real L's death now leaked.

World War III would start. Only the actual Lawliet held its inception in abeyance. Crimes rates everywhere would soar, in figures projected to make the upward surge post-Kira seem like an insignificant bump beside the inevitable spike post-L.

Near must have spent an inordinate amount of brainpower and time pondering all L was or seemed to be; imagining his world-view and thought processes; researching by whatever means may come every snippet of information truly known about his idol; deducing what triggered every known pattern in behaviour, decision-making and everything else besides.

Then Near would have to expend yet more energy, resources and concentration in seemingly endless hours perfecting his carbon copy role-playing of the same.

Allowing another man's self in totality to imprint as a mask over Near's psyche. To suppress his own as worth much less than this prototype soul; as he alone won the right to exhibit L in de facto possession.

Yet some part of Near's genius must be twitching rebellion in a dark, cerebral recess. As early as twelve months prior - to the day - Near espouses rhetoric about how he (in union with Mello) surpassed L. However, it's spoken hesitantly, with many pauses for reflection in its delivery during Near's final confrontation with Kira in the Yellow Box warehouse. Nor does his conclusion appear to have lodged inside his own mind, beyond a theoretical concept to mess with Light's mind.

A year later, Near's faded from his own world; withdrawing into isolation as a hermit obsessively constructing a whole city out of tarot cards, paranoid about the fragility of his finely balanced reality. One draught of wind or an unwary boot upon Rester's foot might bring whole sections of the edifice down. Near's obvious depression surely a consequence of his attempt to obliterate his distinct and natural self, in lieu of fulfilling his Wammy given destiny to become L. Lawliet.

All of this after several years in pursuit of Kira - as the L defined arena in which his prototype Code's pretenders must battle to the death for the right to claim it as their own. Not to mention that it followed on top of a childhood raised in the Wammy House, with its petty rivalries, academic expectations, competitive rankings and presumed early exposure to graphic evidence from crime scenes, as part of the endemic brainwashing forging a strong desire to become L, should a back-up be required.

It takes a retracing of his steps back to the start for Near to even grasp the issue. The return sparked by circumstance - a prospective new Kira appearing on the scene - coupled with the urgent messages forged in his own subconscious - Near's arranging for all previously present to reassemble in the Yellow Box warehouse on the first anniversary of Light Yagami's denunciation and death. Another confrontation in the offing, this time with a crime syndicate dealing in drugs.

That hardly seems worth the while of a Wammy kid, except that it puts altered realities in Near's frame of introspection.

Death Note's Hal Lidner tells Near he doesn't have to be L

In the midst of that mix, experienced after twelve months spent dissembling, something had to give. It seems to begin with the sequence shown in the panel above, whereby Hal Lidner affirms to Near that he doesn't need to become L. 'L is L, you are you,' Lidner tells him and Near is momentarily at a loss for words to say in response. He mentally assesses her wisdom in taking such a perspective and is forced to conclude that she is quite correct.

I wonder if it's deliberate or coincidental that Hal's further comment - 'we can handle it our own way' - apes Mello's upon leaving the Wammy House - 'I will find my own way'. Near would have heard such echoes of sentiment anyway.

Later in the conversation, Hal says quite pointed that Near is trying to think as L would think. Near, who had just accidentally knocked over a section of his tarot card city, asks the pair to leave. He telling adds that they shouldn't topple his towers on the way out. In tarot, The Tower is a card of necessary destruction in the major arcana. It wipes away the old that the new might flourish.

What we then see from Near is a breakthrough moment of self-awareness, in the most literal sense.

At first Near appears dwarfed by the spectre of L. We're still in the same location, but his own world torn down to facilitate a new configuration of tarot card towers.

Each one spells out the single initial L. Near's own figure is almost completely lost amongst them.

Meanwhile Rester speaks from a monitor above, peering down like God Himself, or an Orwellian 1984 style Big Brother. The message he has to convey could have been uttered by Wammy. It certainly encapsulates the Zeitgeist of Wammy's House - the methodology can be as awry as it needs to be in order to solve the puzzle. The method justifies the means.

Near meekly replies that he'll embody L, doing only what it would be natural for L to do.

He goes on to broadcast globally in L's name, with a speech that includes elements from the only one he ever personally heard L declaim. Near addresses the 'new Kira' situation with utter disdain, stating that he won't be getting involved, because it doesn't interest him. Just as L told the Wammy kids in Near's own hearing that he chose his cases solely if they piqued his interest.

Death Note manga Rest talks to Near over L towers in tarot cards

However, Near's concluding statement in the L speech was a denunciation that was never heard from Lawliet's mouth, nor anything akin to it. But it mirrored entirely that famously enunciated by Near to the first Kira - 'You abominable murderer'. It was Near's personality emerging in full strength t0 wipe away the vestiges of Lawliet.

This time, when Rester repeats Hal's assertion that Near is L, Near does not hesitate to concur. We get the wide view and see that the Towers of L aren't so much zones of intimidation. It's Near demonstrating full well his altered world view. He doesn't have to be Lawliet, because he's Near.

Near as L in the Death Note one shot manga

All of this is a far cry from the Death Note anime, which simply skips over the issues Near endures post-Kira. Or the Death Note movies, which only features Near in the third film (L: Change the World). There he's a very young child when L dies, delivered to Wammy's House as L's final act of salvation before the detective dies. It will be a long time, if ever, that Near will have to take on L's mantle in that alternative timeline.

Or you can opt for the timeline altered once more in the novelization of L: Change the World, which omits the Thai boy entirely, to reinstate a more commonly rendered Near in cameo as the end. Only this one doesn't have self-identity issues, nor any compulsion not to tell the US President that L is dead, and he is now L. This telling establishes L as a team effort rather than investigated in one figurehead, albeit one with the same initial as the overall group. Here Near comes across as Puckish, in fact almost angelic.

"Mr. President, this is L... The L organization has captured L-prime and recovered the Death Note. We will eliminate L-prime with the notebook. You can confirm the body in one hour at the Kira Headquarters in Japan."
~ Near, L: Change the World, p186

"By the way, Mr President, would you mind if also issued you a threat?... You will ensure a future where children can go on smiling. Will you promise us that? If you should break that promise, we will not hesitate to use the Death Note."
~ Near, L: Change the World, p187

Well, angelic only if we recall that Lucifer was also an archangel; that Gabriel's horn topples city walls; that Samael was an Angel of Death and Destruction; and that Michael wielded a fiery sword to wage war on God's behalf. Near stating that he'll murder a man, then destroy the Death Note in one breath, followed by a threat to kill the President via it, sometime in perpetuity, seems nothing next to all that. Even if he did get caught in a lie from his own tongue within seconds of stating it.

Then you get the Near characterisation - the latest incarnation at the time of writing - wherein the Puckishness and violence have come utterly to the fore. Though in this case it's stated that Near has dual personalities and it's the Mello persona sharing their body who has the capacity to kill.

None of which strays too far from previous canon, nor the attributes with which Near was originally created by Tsugumi Ohba.

Even in the manga, Near has no problem causing the death of others - or else placing them in potentially fatal peril - if it assists him in solving the puzzle. Thus Kira is led to Mello's Mafia family hide-out; dollar notes worth $10m are dropped on a square in Manhattan causing a stampede; Gevanni is despatched to recover a Death Note's pages, despite instant death if Near's deduction is wrong; and Near psychologically shifts Ryuk into a position whereby the shinigami is keen to kill Light Yagami ASAP.

If Matsuda's theory is correct, then Near went much further than what was less than subtly implied in the pages of the manga. The new L was a serial killer, whose victims could well have included Mello, and whose continued possession of the Death Note AND the L Code makes him a dangerously all-powerful influence upon the modern world's movers and shakers.

Just as he learned at Wammy's House.

O - Wammy Letter Not Assigned in Canon

We don't currently have a canon assignation for the Wammy group letter O, just the usual known candidates: Matt and Linda, plus Wammy House created and raised L clone Ryūzaki (from Death Note: Light Up the New World).

P - Wammy Kid Pseudonym and True Name Unknown

Wammy letter P is known in canon only through being shown on L's call/mailing list in the movie L: Change the World.

These are the individuals who make up the Wammy Members' Group to whom L breaks the bad news via email that Watari is dead. The Wammy House crest, their knowledge of Mr Wammy (and the fact that they'd care about his death) and that they are all designated with single initials renders it certain that they are active members of the Wammy Foundation.

Though we know nothing about P, it can be guessed through the precedent of the rest that he/she is probably a detective, scientist or excelling in the arts. Aizawa and Matsuda reported in the manga that most Wammy alumni fit into those three categories, and the known alumni have followed suit so far.

Of course, there's nothing stopping these letters also possibilities for being assigned to the like of Matt and Linda, though the timeline makes it unlikely to be Ryūzaki's letter.

L Change the World Wammy letters on L's screen

Q - Wammy Kid Pseudonym and True Name Unknown; Unless Strong Probability: Q - Wammy Kid Matt - True Name Mail Jeevas

The hacking defence system, developed by Wammy's House's Q and given to him by his personal friend Watari, had identified the perpetrator who had cleverly routed through several servers all over the world on its way into the lab's system. "Accessed from inside the lab..."
~ L: Change the World, p31

After sending one email, he deleted all his files using the emergency system created by Q.
~ L: Change the World, p32

Wammy Letter Q mentioned in L Change the World

Q's letter is seen in the call list of Wammy's kids glimpsed briefly upon L's screen during the movie L: Change the World (see P).

Unlike most on the list, this individual is also mentioned in the novelization of the same, where it's revealed that (s)he is some kind of computing genius.

For this reason, Wammy's Q is most likely the letter assigned to Matt, aka Mail Jeevas, named in canon as the third ranked Wammy kid of the fourth generation (i.e. next in line for L's succession after Near and Mello).

It is a truth universally known and recognized throughout the Death Note fandom that Matt is good with computers. On his Death Note Wiki page, where cited facts tend to be cross-referenced back to source, we're told '(Matt's) specialty is technology, and he is tasked by Mello to monitor the activities of Misa, Mogi and Aizawa.' The information is devoid of citation.

Matt's geek prowess in computing and 1337 cyber skills are implied in canon. Nevertheless it may surprise most to realise nothing in manga, manual, anime or elsewhere explicitly states anything of the sort. Unless we're missing some reference somewhere, Matt's technological genius is pure fanon.

What we are told - or shown - by Death Note's creators Tsugumi Ohba and Takeshi Obata is that Matt likes video games. He's rarely seen without a PSP or Nintendo DS in hand, and/or other consoles trailing in the background, unless he's driving a car, wielding a gun, watching Kira over the road through a camera or chatting to Mello over his phone about Misa, boredom and the unchanging nature of brick walls.

However, there are quite often computers in the vicinity too. Multiples thereof. Whole reasons in fact why fanon latches onto this notion that Matt is Wammy's technological genius, not least because of the sheer amount that surrounds him at every (woefully scant) view we get.

It may have seemed that all (Matt) did was play video games, but his existence itself was important (laughs).
~ Tsugumi Ohba, How to Read: Death Note 13 p 69

His character concept was a young man who loves video games and doesn't really care much about the world.
~ Takeshi Obata, How to Read: Death Note 13, p136

Death Note Matt inspecting computer as a child

Monitoring multiple screens, (Matt's) cockiness leads him to make a few mistakes.
~ How to Read: Death Note 13, p27

Whether the case is made for Matt being Q or not, he's likely to be the figure behind a Wammy letter. This correlation between implied official/widely accepted fanon facets of Matt with those known about Q is as close as canon has come to assigning him a letter thus far.

A major insight into the mores of Watari is afforded us through the added information about Q . The Wammy House computing adept has created at least two highly useful programs. They belong to him/her - unless the geek's own Hacker Ethic has seen them released as freeware online - and could be patented for personal profit outside the Wammy Foundation orbit.

Yet they have not. Moreover, Watari feels warranted passing those scripts onto a personal friend as a gift.

There could be quite innocent and laudable reasons for this, or it could be that all those high flying skills possessed by Wammy letters are never quite their own to utilize. Their gained wealth and honours fly straight into the Wammy coffers to be used as a common treasury for all within the House and its Foundation. Fuel for fan-fiction writers anyway.

As for Matt himself, he's yet another letter coming from the Wammy House into that deathly battle against Kira. After assisting Mello in some surveillance work in the USA, Matt flew with him to Japan. There he further helped out, this time firing a CS gun from the driver's seat of a red muscle car, creating a smokescreen to facilitate the abduction of Kiyomi Takada.

Matt was killed shortly afterwards, when cornered by Kira supporters and shot dead. He was nineteen years old.

R - Wammy Kid Pseudonym and True Name Unknown

Wammy Letters R, I, E, K, V, T on L's screen in L Change the World

R is amongst those Wammy Letters known only from a glimpse of L's computer monitor in the movie L: Change the World.

Those listed there were on the Wammy Members' Group. Each identified by just a single initial, alongside the Wammy House crest. Most were e-mailed by L that he might alert them to the death of Watari.

Only there's something different about B, R, V and T to all those mentioned from this source previously. They weren't in receipt of the missive, and their letters were blocked out grey with a line voiding the box to select them.

The implication is that these are Wammy kids who are no longer alive. A kind of confirmation coming in the inclusion of B there, assuming that this movie exists in the same timeline as the novel Another Note: The Los Angeles Murder Cases.

Beyond Birthday would indeed be dead this close to the end of Kira's reign. He was killed on January 21st 2004 of a heart-attack probably during one of Kira's purges of international prison populations.

S - Wammy Letter Not Assigned in Canon

To date, there is no known Wammy Letter S in canon, which isn't to say that one doesn't exist. The usual candidates apply here too.

T - Wammy Kid Pseudonym and True Name Unknown

T is known only from his/her entry on L's call/mailing list in L: Change the World live-action movie. However the initial is faded out to grey, implying that T is dead (see R.)

U - Wammy Letter Not Assigned in Canon

There is no Wammy U letter assigned in any canon source to date.

V - Wammy Kid Pseudonym and True Name Unknown

Another included on L's Wammy Members' Group mailing list in the film L: Change the World. V's initial is greyed out, it's owner presumed dead.

W - Wammy Letter for Watari - Quillsh Wammy Himself

It's difficult to know the motive for Quillsh Wammy in creating The Wammy House for Gifted and Talented Orphans in Winchester. Mostly in manga, anime, novels and live-action adaptations of Death Note, the altruism is played up in the persona of L's handler (as Tsugumi Ohba described him).

But the Death Note author also stated that Wammy cultivated those kids as detectives 'for fun'.

Even if Wammy's orphanage and the lettered foundation to follow were established for the best of reasons, gathering genius children from across the globe - for the most part relocating them to another country - then stripping them of their names and other indicators of self-identity robs all concerned of their birthright. Held up to the light of the UN's Rights of the Child (international law) and Wammy's House is shown sadly lacking for all its wonderful provision.

That document was certainly ratified in England, where Winchester is situated. Some government officials, and those in the local authority too, must be turning quite a large blind eye, or else Hampshire Social Services would be traipsing all over the premises. Closing it down too because, for all its bright and glorious intentions, Wammy's House is an illegal concern by universally declared human rights laws.

Obviously those politicians in Winchester, Westminster and in the offices of other world leaders too consider it expedient to let the institution continue existing - taking the Stalinesque position that the ends justify the means - but that's by the by. The question here is what Wammy himself thinks he's up to, and how he's squared it with his conscience (if, of course, he knows his operation to be criminally negligent and cares about that).

The hints from the manga are inconclusive to bordering upon the disturbing.

We never hear Wammy's own thoughts on what he's established, just catch an undercurrent of Aizawa's unease, as he reports back to Light what he find in Winchester.

Plus How to Read: Death Note 13's note on Roger Ruvie, that he was employed to collect children internationally and bring them to Wammy's House to train as L's successor. Watari employed him to do that. He pays his wages too.

The anime continues on along the same theme, adding nothing directly from Wammy's mouth, but providing us with snap-shot flashes of the orphanage with sobbing infants and bullying in the corridors.

Not to mention the strange spectacle of Roger telling Mello and Near (aged 14 and 12 respectively) that they now have to take L's place in the struggle against a mass murderer of global proportions.

Aizawa and Matsuda report back to Light about Wammy's House

And incidentally, their guardian is dead, along with their idol. The one they were raised to emulate to the point of becoming in a very literal sense.

Its director's cut movie length double bill - Relight - adds the darkest element yet in L's 'monster' speech, as recalled by Near. Whatever else anyone thought the Wammy Foundation to be, L was in it for the lulz. Apparently. Then Mello, as narrator in Another Note, takes the matter of Watari's motives and the institution's reality plummeting to whole new levels of criminal insanity and horror. Herein, Quillsh Wammy emerges as a mad inventor, dehumanising children to the level of machines, psychologically repackaging them as carbon copies of his prototype child. Then placing them on a conveyor belt onto martyrdom or becoming L mark 2.

Thereafter, things lighten up considerably. Wammy suddenly transforms into a kindly benefactor, personally concerned in realising the potential in each of his wards, coupled with a genuine zest to save the world - or change it, as the movies and their novelisation strangely phrases it.

Death Note L Change the World L and Watari

Though this overtly compassionate soul doesn't stop L, to all extents and purposes, committing suicide by writing his own name in a Death Note; F dying with a smile on his face in Thailand; and K building a biological contagion to wipe out all humanity. All directly or by proxy sent into the situations that killed or unhinged them by Wammy himself or one of his assistants at Wammy HQ.

Not one of them elicited a word of censure or damage limitation from their guardian either; nothing of consolation nor urging them to put their own safety and well-being above the perils of the case.

F's death 'couldn't be helped' (L: Change the World movie). K was never approached with the key information that she'd been assigned and kept not only her letter, but Watari's own esteem (L: Change the World novel, p 176-177). While sight of L's name in that Death Note almost prompted words in reaction from the man who'd raised him and continued to be a constant presence catering to his every whim. But Wammy stopped himself speaking 'and closed his eyes to contain his feelings' (ibid, p 16).

For that matter, though L was on the trail of Beyond Birthday enough to contact and advise Naomi Misora, Watari did not take the first available flight to Los Angeles in an attempt to calm his wayward, suicidal ward. With all L's considerable sway upon the movers and shakers of most nations - the USA topmost on the list - no apparent intervention was made on behalf of the badly burned Beyond Birthday. He was left to languish in a LA prison, until Kira killed him. (Nor then had the Wammy Foundation ensured his anonymity regarding face and name, as Near did for Mello. B lost and thus was excluded from the fold.

It's unlikely to be an appalled father figure washing his hands of the 'back-up'. Watari covers up or fixes the carnage from no end of criminal acts, up to and including murder, as enacted by his other wards. Like Near/Mello, in the Death Note TV drama (2015), phoning to announce that he's just killed Yudagawa. Wammy's reaction being to retrieve Near from the scene, arrange the clear up and cake. Near's favourite at that.

Death Note television drama. Watari brings cake for Near and L

Finally back to the manga's original story and timeline, wherein Watari, firmly entrenched in the perils at the front line of the Kira case, never once thought to phone home to tell Roger, "You know, this might be too dangerous for the kids. Plus they've got the onset of puberty looming on the horizon, which is going to play havoc with their thought processes and deductive reasoning. If anything happens to me and L, be sure and keep Near and Mello safe indoors, eh?"

Instead, he doesn't even deign to indicate a name for L's successor - news which every child there spends every second of their existence in conditioned striving to become - partially because he knew L had already named Light (more important information for the cohort in Winchester, perchance?), and also because Wammy's own death was so sudden.

Yet surely this ultra-efficient man had made provision? Given his wealth, responsibilities and current condition in risk of sudden death by Kira, it seems the most obvious rolling course of action for the Wammy House founder and father figure.

The only insight we get to the mindset of Quillsh Wammy, in regard to the ridiculously short life expectancy of those in his care, comes from his musing in response to the fait accompli of L's suicide - deferred by twenty-three days as per the extremities of the Death Note's limitations. In the knowledge that L would have contemplated every move available to himself before acting thus to checkmate Kira, a conclusion is reached - 'this was the choice L had made. How could Watari object?' (L: Change the World (novel), p17)

How could he not? When each tragic loss to the Wammy House cohort, met without comment, reaffirms the normality/inevitability/expectancy of such choices made, his objections should be paramount. Especially as L - with his own demise fixed and irreversible - instantly acted as though a burden had been lifted from his shoulders. A burden that the novel later articulates as,

... L did not and could not forget the face of thousands of victims... The chronically rounded shoulders, the inevitable dark circles, the eccentric tastes - L suppressed the pain of being a champion of justice, but the evidence of the pain was molded into his very body. L tore out his hair and howled at the sky, unleashing the agony inside his soul.
~ L: Change the World (novel), p151

It's a life that Watari chose for his favourite ward to live, when the boy was way too young to know what it could possibly entail. A whole Foundation was constructed around facilitating and perpetuating it, complete with staff-members tasked with replicating L upon the raw matter and vulnerable psyche of a steady procession of living children. The majority of whom L, at just twenty-seven years old, has already out-lived.

His guardian, mentor and carer Wammy hasn't left his side in over twenty-one years. Two decades of reaffirming to L that what he's doing is necessary and the only thing he could be doing. Acting like this is normal and right. Intimating that L perhaps owes him something for this relentless support and companionship, with so much time, wealth and world peace tied up in the detective going on as before; his burden bending his shoulders and adding dark pits around his eyes.

L looked up suddenly... with the worried expression of a child. "Watari, have I fulfilled you expectations?" Watari answered with his usual serene smile and uttered one simple unerring word: "Fully."
- L: Change the World, p188

X - Wammy Kid Pseudonym and True Name Unknown; Y - Wammy Kid Pseudonym and True Name Unknown; and Z - Wammy Kid Pseudonym and True Name Unknown

... I heard from L: the story of the detective war between the three greatest detectives, all solving that infamous bio-terror case, with guest appearances from the last of the alphabet, the first X to the first Z from Wammy's House.
~ Another Note, p170

X, Y and Z were all Wammy House children who assisted L, as he battled for supremacy over the original Eraldo Coil and Danuve.

Emerging victorious, L wasn't content to merely take the top spot in investigative global ranking. He took their detective codes too, hereafter able to call himself by their names; as evidenced in the battle against Kira, when he announced to the task force that he was in fact all three detectives now. Aiber was able to pose as Coil, in L's stead, when the Yotsuba Group hired the supposed 2nd placed detective in order to investigate the first.

Yet none of this explains what happened to X, Y and Z afterwards. Mello never tells us in Another Note; nothing more beyond that snippet quoted above. Nor do they turn up in the B case, or the fight against Kira which follows on.

Then again, that quotation can be read another way and perhaps they weren't assisting L at all, despite their Wammy House credentials. It seems unlikely that one or two WERE the original Coil and Danuve, challenging L for the chance not to be his backup nor copy. That would place them centre-stage, not cameos.

But nothing there says that they weren't the instigators of the bio-terror case under investigation. After all, it wouldn't be the first time that something like that was spawned from the dark corridors of the Wammy House to be unleashed upon the world.

In which case, all precedent says they're now tucked up safely inside their laboratories within the confines of the orphanage, welcomed home with an attitude akin to respect and a jolly well done. But for the fact that none of the trio factor upon L's calling screen in L: Change the World - plus Mello refers to all as 'the first' of their names in Another Note.

The implication being that these three Wammy kids no longer exist, even within the institution out of public view. Moreover, those who supplanted them in their allocated initials potentially were lost too. That is if we're taking all Death Note stories as one amalgamated canon, even where their time-lines clash.

The Wammy Alphabet of Death Note Letters

Entire list of Wammy letters colour coded according to status

Those names greyed out are already dead by the end of all iterations of the Death Note canon. Those inverted represent Letters whose allocation is currently unknown. Leaving just D, E, G, H, K, N and P still alive.

However, this is just one run through from all known canon data. We have indubitably got a mix-match of generations here. A, B, X, Y and Z are known to have been amongst the first. M and N were definitely fourth. L, H and W held their letters throughout. K's letter survived at least two generations in its allocation. It has to be assumed that for a letter to be reassigned (four times for four generation of alphabets filled and started again), the previous recipient is dead.

How many Wammy kids must have died then, for the latest as semblance of Wammy Letters to exist? A vague straw-poll based on the configuration seen above suggests that, of the overall proportion, 73.1% are dead.

It may be presumed that Ryūzaki, Linda and those nameless Wammy kids in the background of flashback scenes all bore an initial apiece. A single letter displayed upon a white screen when they called - stark black in an Old English font, in lieu of a real name.

And where were J, X, Y and Z on L's calling screen in L: Change the World? A possible 4-7 more dead or disappeared. J to a burning ship in the middle of a pixel ocean; the latter three implied dead by Mello's comment 'the first to hold those letters'.

And of the remainder, one planned to destroy all humanity but was brought back into the Wammy fold. Not before K had already killed thousands, obliterating whole villages along the way. While, if Matsuda's theory was right, another is a secret serial killer in possession of a Death Note's great power, in addition to holding the L title that every one of Wammy's children coveted.

As L's successor, N beat them all to what amounts - in practicality, wealth and influence alike - to world domination.

Posted as Part of

0 Comments

Watari's Indoctrination of Wammy Kids in Death Note (Analysis by Lua Cruz)

4/5/2016

1 Comment

There is little to no question about the unethical basis of the system behind Wammy’s House.

We are shown a place with barely any adult supervision in which the children are allowed to be aggressive or behave however they please, with a warden who seems to care very little for the children under his care to the point of simply letting one of them walk out and expecting another to do the same.

Not only that but the house itself seems to have almost no furniture.

In the story, it may not seem so odd since, by the time we are introduced to Wammy’s House, we are aware it isn’t just a common orphanage housing children. But that only makes the existence of such place even more disturbing.

Here is at least one house for gifted children, assumed to be orphans, who are raised in an unfriendly and competitive environment for no other reason other than Quillsh Wammy thought this was an important thing to do. Those children are taught their skills should be directed to a very specific goal: becoming L. L is a detective so the point of collecting those children is to groom them into becoming detectives. More than that, they are trained to be confident in their own reasoning, their own methods of doing what they enjoy.

If the children are taught to find a hobby and to find their own way of achieving the goals of said hobby, can we talk about indoctrination in Wammy’s House? Considering John White’s definition that indoctrination takes place if the intention of the teacher is to make it so that “(t)he child should believe that ‘p’ is true, in a such way that nothing will shake this belief” (White 1972a, 119 and 1973, 179), it could be said the point behind Wammy’s is to make sure the children believe their goal is worth everything.

If they want to solve a case, anything they do to accomplish that (be it breaking the law or putting themselves at risk or indirectly getting people killed or cheating) is worth it. Their conclusion is absolute to the point their actions are justified as if they are justice.

It’s important to point out that they are not acting for the sake of justice or in the name of justice. They act as if them themselves are the embodiment of justice.

In this sense, they can do no wrong because their actions are just, they are right because they are their actions.

For example, to sacrifice the Mafia in order to get a chance to capture Kira was a selfish action; Mello wasn’t acting in the name of justice. And it was because it was a selfish decision considering his own goals that he acts as if he is justice. Those lives are worth less than capturing this criminal.

This is an educational system Watari established for a reason canon doesn’t explore. Why would he want to indoctrinate children to believe their own conclusions and decisions, even when perceived as selfish ones, were right not only to themselves but to the world?

None of the Wammy’s kids wonder if Kira could possibly be right as we see Matsuda doing. They know he is a criminal; they know they have to stop him.

If we consider they are meant to solve crimes, it could be Watari actually had an altruistic goal in mind such as world peace. But there is no interference from him in the direction those children take, and, in fact, quite a few ex-Wammy’s kids are willing to become criminals in order to achieve a goal or prove a point.

Mello joins the Mafia, K joins a bio-terrorist group, B becomes a serial killer, L himself admits to being a criminal by current laws and is willing to use torture against Misa. Letting them do as they pleased, confident on their own skills and conclusions, seemed to be a pretty chaotic project.

As it is, Watari died before his experiment was complete and we only have bits and pieces of it to try and make sense of his project. But why was it important to Watari to create a group of people with that level of confidence in their own reasoning? Why was it important to let them loose in the world with no guidance or direction?

Article by Lua Cruz

Posted as Part of

1 Comment

What Were the Stakes for Watari in Death Note? (Analysis by Lua Cruz)

3/5/2016

0 Comments

Quillsh Wammy as L's aide Watari in Death Note

While canon doesn’t linger on Quillsh Wammy on his own, Watari’s existence on itself is implied to occupy a much bigger role than what we actually see.

We are introduced to him as the connection between L and the outside world, and, as the story progresses, we also see Watari is responsible for carrying L’s orders as well as taking care of L himself. We see Watari as the liaison, the butler, the bodyguard and the assistant but we aren’t given a reason to explain this renewed inventor taking on those functions.

We are told, both in the original manga and in the L: The Wammy’s House One-shot, that Quillsh Wammy is a man of wealth. There is no reason keeping him from paying someone to look after L other than he chose to do it himself. And as we see when L arrives at Wammy’s house, he makes that decision soon after he is introduced to L. That is a choice we are left to explain on our own.

L hoarding toys in L: The Wammy House Death Note one-shot

It could’ve been boredom. Watari is shown to be an old man; it’s possible he has seen what he wanted to see and has done what he wanted to do. He’s an inventor, a creative mind, and he could be following this unpredictable child to see what he would do. Surely, boredom could be a motivation.

But what does it say for his morality that he allowed a young child to go unpunished for beating up his house-mates and hoarding toys meant to be shared?

More than that, he actually rewarded L’s behavior, showing him attention and giving him whatever he asked for even when that meant taking a monetary risk.

Although curiosity born out of boredom could be the reason Watari singles out L, it doesn’t explain the reasoning that created the circumstances that allowed him to find a child like L.

The orphanages weren’t created out of altruism and kindness. When we see one of them, we see a place with barely any furniture and a warden who cares so little for the children he’s responsible for that he doesn’t mind handing over private information he knew could endanger them. It’s not a place for children to grow up happily and safely, neither it is a place for children to be adopted.

After L, the point of, at least, Wammy’s House was to produce a successor and there is no explanation as to why the orphanages were meant to produce something in the first place. In that case, it’s more likely L was what they were looking for and not a random child Watari decided to entertain.

Considering Watari made the decision of establishing several orphanages after World War II, his motivation could’ve been to prevent another war, to find the one mind capable of intervening and putting a stop to such horrors. If L was the answer to the question he was trying to answer with his orphanages, Watari was looking for a kid capable of saying their own methods, their own morals, were just.

The idea behind his orphanages was grooming children who met a certain standard to become the moral compass of the world, and, by choosing this particular child to become the standard the other children should follow, Watari himself chose this child as the ideal one.

To make a choice like that, Quillsh Wammy had to be particularly confident on his own morality, his own sense of justice and his own intelligence. He had to be sure he was right, that was he was doing and the possible grief he would cause was worth it.

If Watari set out to find a child who could become Justice in the world, his resolve was not to raise children nor was it to provide them a loving home.

He established a system that allowed him to find someone he considered capable of being justice and provided this person with all resources required. He modified the system in place just enough to create another person based on the standard is first choice produced.

That being the case, we can say Watari considered the common good to be indubitably more important than personal well-being.

Death Note Near hearing L talk about justice and his cases

In fact, we can go beyond that and consider Watari didn’t change his methods after finding L as much as he was lucky enough to find a child who already did and strongly believed what he wanted the children under his care to do and believe.

Watari forced the children under his care to abide by his own moral inclination despite their own desires but to do so believing in their own deductive skills. They were indoctrinated to believe they, too, could be justice, but only if they were the very best. Personal safety, personal happiness, mental health, physical well-being, etc… were not as important as the good of the majority, but the good of the majority was taught to them as a consequence of their own actions, their own inclinations, their own search for answers.

Not only was Watari morally irresponsible as he allowed L to do as he wished (choosing the cases and methods he pleased under the pretence of representing justice), he was also morally wrong on the orphanage system he created. If he thought the world needed a moral compass that he could provide, he, at least, knew his methods were condemnable enough he should keep them hidden.

Article by Lua Cruz

Posted as Part of

0 Comments

Fabulous Quillsh Wammy Cosplay by Guess Greenleaf from CupofSquirrel

29/4/2016

0 Comments

US cosplay collective CupofSquirrel have turned their attention to Death Note characters in costume.

And that includes Watari cosplay courtesy of Guess Greenleaf - pictured right with fellow group member Rhyme Lawliet as, well, L.

Moreover, Guess has popped in to explain to us how we can create a Wammy costume of our very own.

All the win!

Discover more from CupofSquirrel cosplayers on their YouTube channel.

CupofSquirrel's Guess Greenleaf on How to Cosplay Quillsh Wammy

Have you cosplayed Quillsh Wammy now or in the past?
Yes - currently.

Any anecdotes about your experiences cosplaying Mr Wammy?
I was Watari for a video that my L was making for their YouTube channel. Even though I was only in a few scenes, it was a joy to be Watari.

His personality is special to me--he is caring, kind, and intelligent.

What clothing and/or props do you feel are essential Watari costume items?
I collected a second-hand suit for Watari to wear. His outfit is very simple, which makes him easy to cosplay for people just beginning.

His hair is swept back, so I purchased a lace front wig. Watari is defined by his glorious moustache, so I purchased a nice one from a local theatre store.

I feel that it is nice for Watari cosplayers to have a similar hat, so on occasion I use a vintage fedora my mom found at a garage sale.

To complete the cosplay, simple ageing make-up was important for me, because I am a young woman instead of an old man.

Is there more to cosplaying Wammy than the outfit? (Look/behaviour etc.)
More important than the quality of your Watari cosplay is his demeanour. People will know you are Watari if you carry yourself with pride and are deliberate in your actions. He has a serious kindness about him that is essential to his character.

CupofSquirrel Cosplay Death Note Watari and L

CupofSquirrel cosplay Watari and L

Watch CupofSquirrel in Action Cosplaying Death Note Characters

What's your professional opinion about ready-made Death Note costumes, such as those in our Cosplay Store? Any pieces in there decent enough for a Mr Wammy cosplay? (Be honest!)
I didn't see any Watari cosplay items in your store, so I don't think these would work out! [Ooops! ~ Matti] Ready-made cosplay items are nice for people who do not have the skills to make things themselves.

When I started cosplaying Watari, I did not have the skills to make a suit coat, which is why I bought one from a thrift store. When buying ready-made items, the most important thing is how they fit you. If you want it to look like it was made specifically for you, you should probably go with a site that takes your measurements to make sure you have a nice fitting costume.

If not anything there, where would YOU source items to cosplay Quillsh Wammy?
I would go to a local thrift store and try on the nicest looking men's suits there.

Any last tips for anyone reading, who wishes to create their Watari cosplay from scratch?
Spend extra time on make-up and wig/moustaches. These parts of your costume will give a recognizable face to your cosplay.

Cosplayers!

Would you like to have a go at answering these questions yourself?

A different Death Note character forms the focus each month.

If you cosplay Death Note - or indeed a cosplayer of any tale - and you're willing to share your tips, thoughts and advice with the fandom, then visit our cosplayer's questionnaire page to fill in the form.

Thank you in advance!

Posted as Part of

0 Comments

Light Up the New World - Death Note 2016 Gains an Official Title for Release

22/4/2016

0 Comments

Ready to know the name of the movie that we're all going to see in October 2016? (Or as close as it may be coherently located within our own neck of the globe.) Ready? *Drum-roll* Death Note: Light Up the NEW World.

Until now, this Shinsuke Sato directed Death Note movie has gloried under the working moniker of Death Note 2016. We always knew it would change with the only bets being about how bad that final title might be, for this live-action sequel to the earlier trilogy of Japanese movies. All things considered, Death Note: Light Up the New World isn't too bad. Not when compared to some that we'd contemplated here ourselves.

Perhaps a little cheesy, with the strong potential for disappointment, as we doubt very much that we'll see much of Light Yagami beyond reference or the occasional flashback. Probably just the former.

Warner Bros Japan announced the film's final and official retitle with a poster featuring its three main cast-members:

Death Note: Light Up the New World first poster

This poster announcing a name-change for Death Note 2016, first appeared in the Japanese press on April 8th 2015, trickling out across the world thereon.

It depicts new characters Yugi Shion, Tsukuru Mishima and Ryūzaki perched on chairs above a scattering of six death notes, topped by that fruity shinigami favourite - a shiny, new, red apple.

(Be still your immortal beating heart, Ryuk. If we put together to get you a whole basket of the stuff, would you go and be bored somewhere else instead? Like another planet or plane of existence entirely, please. A few Granny Smiths really aren't worth the wanton destruction of humanity, with a theatre of war on a global scale enacted in genocide; forced rendering of all our civil and human rights; terror; and enslavement. Do it for oil, like everybody else.)

Reflected within the polished floor-tiles, we see the faded, pixelating visages of their predecessors - Light Yagami and L - both deceased with ten years standing between their stories told in the first movies, and the present day recounted in this.

Death Note: Light Up the New World will open in Japanese cinemas on October 29th 2016.

0 Comments

Join a Pinterest Community Group for Wammy and Wammy's House!

15/4/2016

0 Comments

Death Note Wammy Pinterest board run by Death Note News.

A whole group of us are already pinning our Wammy's House and Mr Wammy related items of interest over on Pinterest. You can too!

We have a community Pinterest Board for Death Note's Wammy cohort, which anyone may join and contribute what they will.

It's part of a whole collection of character or other subject specific boards created and maintained by Death Note News.

So click away on the follow button, wait for your invitation to be added to the board - prompt us with a comment here* containing your Pinterest name if you want to hurry us up with that, though we will try to be quick with the Wammy additions during this Month of event - then pin, pin, pin all you've got on Watari and his wards.

And once you're in, feel free too to invite your friends along. All our members can add other pinners to the group. That's what community is all about!

* If you wish to be added to other boards too, then list those in your comment as well. There are so many of you that these things otherwise go in bursts and starts!

Follow Death Note News's board Mr Wammy and Wammy's House on Pinterest.

Latest pins on our Watari Pinterest Community Board

Do you have a group, forum, community, fan-club or other website dedicated to Watari, Wammy's House or anything connected with the Wammys? Let us know via our submission page and we'll big it up for you during this Month of Watari on Death Note News. Help us get the community connected with like-minded members of the same fandom!

Posted as Part of

0 Comments

Death Note in a 10th Grade Social Studies Textbook in South Korean Schools

14/4/2016

2 Comments

Death Note's Light and L in Korean school textbook

South Korean 10th graders learn Social Studies via Death Note

Light Yagami and L have turned up in cartoon and dialogue within the pages of a Social Studies textbook - destined for the classrooms of South Korean 10th Grade schoolchildren.

This is admittedly old news to those living and learning in South Korea, but we admit its only just turned up in our orbit. The first time the screenshot appeared online was 2009, meaning there's a whole generation of Korean sociologists now used to referencing Kira in their problem-solving.

We'd love to know what it says, if any kind Korean speakers care to translate it for us. Thanks in advance!

2 Comments

Death Note Profile: Who is Quillsh Wammy?

8/4/2016

1 Comment

Mr Wammy (Shunji Fujimura) - Death Note live-action movies (Japan)

Mr Wammy as played by Shunji Fujimura
in live-action Death Note films

Watari - aka Quillsh Wammy - is L's 'handler' in Death Note. He is also the founder of the Wammy chain of orphanages, including The Wammy House for Gifted and Talented Orphans.

Also known as Wammy's House, this was the institution which raised L, Near, Mello, Matt, Beyond Birthday, Linda et al. It is located in Winchester, England.

We first meet Mr Wammy under his guise as Watari, an anonymous figure clad from head to toe in a black leather trench coat complete with Fedora hat. He infiltrated a meeting of Interpol, wherein representatives of the world's law enforcement agencies had convened to discuss the Kira case. Watari was carrying a laptop from which emerged the electronic voice of L to address them all.

Later, as the Kira Task Force are invited to meet L and vetted by the same, Watari appears again, this time in the suited guise of his actual self - Quillsh Wammy, benefactor of the Wammy Group chain of orphanages and the man who trained L to become a detective.

He now facilitates his ward in his work solving crimes, acting as a handler, spokesperson or kind of butler. Noted mostly for organizing logistics of manoeuvres ordered by L; transferring the funds to pay for the same; and bringing copious amounts of cakes, sweets and other sugary things for L to consume whilst puzzling over his cases.

Elsewhere, it transpires that Wammy is a crack marksmanship, as well as highly skilled in espionage. He made his considerable wealth as an inventor.

Killed in the line of duty, during the fight against Kira, Quillsh Wammy is remembered as a 'great man' by members of the Task Force, lauded as the same by newspaper obituaries around the world.

Yet there is a darkness that hides beneath the surface of this seemingly amenable, altruistic man. As author Tsugumi Ohba put it, 'He's a guy who cultivates detectives for fun. That's kind of terrible, isn't it?' (How to Read: Death Note 13, pg 27). Well, in anybody's language, that's child trafficking and rendition, at the very least.

The Names of Quillsh Wammy

Death Note's Watari is alternatively known as:

キルシュ・ワイミー
Quillsh Wammy
Quillish Wammy
Kirushu Waimī
Kirsch-Waimi
Mr Wammy

ワタリ
Watari
W
渡
真名
Wye Me

Originally, Ohba meant to call this character Shadow, as in L's shadow - a moniker with more than one inferred meaning, which fan-fiction writers would have had great fun exploring. However Death Note's editor pooh-poohed the name, telling Ohba, 'No, no! Anything but that!' Hence the author coming up with Watari, which he explained meant 'handler' in Japanese.

Watari's Vital Statistics

Hair Colour:
Grey

Height:
5' 7" (170.18cm)

Eye Colour:
Blue

Weight:
8 stone (112lbs; 50.8kg)

Occupation:
Inventor; L spokesperson; benefactor of orphanages; collector of orphans; educator

Relationship Status:
Unknown, presumed single

Key Dates for Watari

May 1st 1933:

Quillsh Wammy born

Manga

May 1st 1936:

Quillsh Wammy born

Anime

November 5th 2004:

Quillsh Wammy killed

Manga

November 5th 2007:

Quillsh Wammy killed

Anime

The Auguries of Quillsh Wammy

Born on May 1st, astrologically Quillsh Wammy is Taurus

Wammy's birth date of May 1st 1933 (manga) also factors into Shēngxiào. He is a Rooster in the Chinese Zodiac

However, the time-slip of the anime would have him born in 1936 instead. That means that now in the Chinese Zodiac Watari is a Rat

How to Read: Death Note 13 reveals that Quillsh Wammy's blood group is B

A Versatile Fixer - The Personality of Quillsh Wammy

Death Note 13: How to Read gives us an insight into the character of Quillsh Wammy, at least insofar as his author saw him.

The older man scores highly for versatility, talent, initiative/willingness to act, motivation and emotional strength. Not far behind are his only slightly lesser scores for creativity, social skills and intelligence. That he doesn't reach the topmost figure for creativity is a little surprising, given that Wammy made his fortune as an inventor. The ultimate creator, one might think, this side of actual divinity.

We do get a hint of the kind of things that Wammy invented, when he turns up in the Death Note manga with belts containing panic buttons. Not exactly Bond's Q, but in the ballpark.

As befits a man whose wealth and life has become devoted to raising children, his pet hate is 'dirty rooms'. Presumably plenty of those at Wammy's House. I can't quite see the like of Beyond Birthday, Mello and Near running around with a duster.

This is an attribute taken to extreme levels in the Death Note TV drama, wherein guests are sprayed with disinfection at the door. The interior of L's headquarters is kept pristine in its cleanliness, with Watari hurrying in to exchange L's shirt should a mere splash of food stain hit upon it. In most tellings of the Death Note story, it's also inferred that Wammy is a fabulous cook. At least there doesn't seem to be any travelling caterer providing all that confectionery for L that his handler regularly delivers.

Though it's nowhere stated that Wammy is an Englishman, it's implied in the location of his main orphanage for the training of gifted and talented orphans - Winchester, in England. A further clue is given in his most favourite thing in the world - Earl Grey tea.

It's never truly explained how Watari managed to become such a crack marksman either. His sharp-shooting is such that, in the Death Note manga and anime alike, he's able to fire a bullet which blasts a gun from the hand of Yotsuba's Kyosuke Higuchi, far below him on the ground. Wammy himself hovering over the scene in a helicopter at the time.

Nor do we learn where Quillsh Wammy acquired such skill in espionage, though he puts that to good use in Death Note, infiltrating various organizations to gain or deliver information. Not least a gathering of Interpol.

Nevertheless he passed on all this knowledge, and the thinking/morality behind it, to the children in his care. Maybe more clues to Watari's character reside in those he raised - how they turned out and what became of them.

Complete List of Wammy Kids in Death Note Canon

Genius children taken from wherever they lived around the world and installed in Wammy's House, Winchester. Here their 'special talents' were cultivated with a top class education, whereupon they were sent back out into the world to put those skills into practice. All of these individuals were nurtured by Wammy - or at least had their upbringing and training overseen remotely by him, as warden Roger Ruvie took orders from above.

A
- Name Unknown
Committed suicide at Wammy's House
(Another Note: The Los Angeles BB Murder Case)

E
- Name Unknown
Shown on L's call/mailing list
(L: Change the World)

J
- Name Unknown
Appears only as character in
a DS Death Note game.
(L: The Prologue to Death Note)

M
- Mello (Mihael Keehl)
Joined the Mafia in a bid to catch Kira and succeed to the L title before Near did. When unsuccessful, he gave his life to help Near defeat Kira.
(Death Note manga/anime)

Letter Unknown
- Matt (Mail Jeevas)
Third ranked Wammy kid at the time of L's death. Matt ultimately stepped into the Kira case at the behest of Mello. He was gunned down and killed by Kira supporters.
(Death Note manga/anime)

R
- Name Unknown
Shown on L's call/mailing list. However the name is faded out to grey, implying that R is dead. (B's is the same hue.)
(L: Change the World)

V
- Name Unknown
Shown on L's call/mailing list. However the name is faded out to grey, implying that V is dead. (B's is the same hue.)
(L: Change the World)

Z
- Name Unknown
Assisted L in the Detective Wars bio-terror case.
(Another Note: The Los Angeles BB Murder Cases)

B
- Beyond Birthday
Tried to lure L out with a series of grisly murders in Los Angeles; impersonated L for Naomi Misora, before setting fire to himself in a failed suicide attempt; imprisoned in LA, where he suffered a heart-attack and died (presumably killed by Kira) on January 21st 2004.
(Another Note: The Los Angeles BB Murder Cases)

F
- Name unknown
Rescued Near from a remote village, where all were dying in a deliberate epidemic, and sent him to L. F was killed in Thailand when a US helicopter shoots down his trunk. However F was already infected with a deadly virus.
(L: Change the World)

K
- Kimiko Kujo
Scientist - unleashed a deadly virus in her own bid to 'change the world' by wiping out its human population.
(L: Change the World)

N
- Near (Nate River)
Mathematical genius, who de facto succeeded L at age twelve, when the latter was killed by Rem/Kira. With clues provided by Mello's martyrdom to the cause, Near was able to finally defeat Kira in the name of himself, Mello and L, ergo Wammy's House.
(Death Note manga/anime)

P
- Name Unknown
Shown on L's call/mailing list
(L: Change the World)

Letter Unknown
- Ryūzaki
Cloned from L's DNA and raised at Wammy's House as L's true successor.
(Death Note 2016)

X
- Name Unknown
Assisted L in the Detective Wars bio-terror case.
(Another Note: The Los Angeles BB Murder Cases)

Random Wammy kids
as seen in Death Note: Relight (above)
and Death Note manga (left)

D
- Name Unknown
Shown on L's call/mailing list
(L: Change the World)

G
- Name Unknown
Shown on L's call/mailing list
(L: Change the World)

L
- L Lawliet
Apparently the prototype 'special talent' Wammy orphan, for whom all the rest were raised as back-ups or successors.

At eight years old, L could beat up the other orphans in Wammy's House. He also discovered the delight in solving true crime cases, and thwarted the Winchester Mad Bomber. Beyond that he made his name as not only the world's greatest detective but, under pseudonyms, the 2nd and 3rd ranked too.

He was killed during the Kira case.

Letter Unknown
- Linda
Became a successful artist. During the Kira case, she drew images of Near and Mello for the Japanese Task Force.
(Death Note manga/anime)

Q
- Name Unknown
Shown on L's call/mailing list
(L: Change the World)

T
- Name Unknown
Shown on L's call/mailing list. However the name is faded out to grey, implying that T is dead. (B's is the same hue.)
(L: Change the World)

Y
- Name Unknown
Assisted L in the Detective Wars bio-terror case.
(Another Note: The Los Angeles BB Murder Cases)

Each skilled Wammy kid set loose on the world was assigned a letter by Watari. In L: Change the World, it's stated that this only occurs with the greatest, most intelligent of the Wammy's House outcrop. Kujo is according stunned to belatedly realise that she was afforded the letter K.

Dotted across various adaptations of canon, we've practically got the entire alphabet in Wammy Letters. With Watari himself indicated by the Letter W, only H, I, O, S and U are missing. However, some known Wammy alumni never divulge their letters. We don't, for example, know which Matt was assigned, despite him being third in the Wammy House rankings. Nor yet do we know which letter Ryūzaki will take in the forthcoming movie Death Note 2016, assuming that he takes one at all.

Meanwhile, by the end of the manga/anime Death Note stories, Near interchangeably uses both N and L. The latter earned post-Kira. Thus giving an insight into the fact that letters can be taken from their peers by successful rivals/successors from the same Institution. This is a system that Wammy himself must have set up.

Along with a code of ethics that apparently accounts for serial killers, abductors, biomedical scientists bent on mass destruction and the propensity of Wammy graduates to think it proper to die - or be killed - for want of a puzzle's solution.

The Faces of Watari

Quillsh Wammy Death Note manga

Quillsh Wammy Death Note anime

Quillsh Wammy Death Note Nintendo game

Quillsh Wammy Death Note: Relight

Posted as Part of

Quillsh Wammy Death Note live-action movies

Quillsh Wammy Death Note TV drama

1 Comment

Otaku Death Note Fan-Artist Georgina Aguilar Gives Advice on Drawing Watari

6/4/2016

0 Comments

US hobby artist Georgina Aquilar likes to create digital art. For Month of Wammy, she turns
her attention to her favourite characters from Death Note - Watari and L.

Death Note News Watari and L artwork by Lacie BunCat

Watari and L by Lacie BunCat
Originally published on DeviantART
Reproduced here with permission

Georgina Aguilar describes herself as a hobbyist artist from El Paso, Texas, USA. Her digital art is collected in her gallery on DeviantART, where she is known as Lacie BunCat.

Georgina writes, 'I love anime, I been drawing since five years old. Practice towards the years. I love art, so I use different techniques, mostly on Photoshop. And also I'm an Otaku. And I have a lot of my personal comics and fan made ones including one for Death Note.'

Lacie-BunCat Tackles Our Artist Questionnaire About Drawing Mr Wammy

Detail from Watari and L by Lacie-BunCat

Have you created Quillsh Wammy art now or in the past?
Yes - currently.

Any anecdotes about your experiences as a Watari artist?
Well I've only drawn him twice - once holding L as a kid and in sketch.

How would you go about creating a Watari drawing/sculpture?
It'll be an amusing experience if I do that.

What attributes, clothing and/or scenarios, do you feel are essential to include in Mr Wammy artwork?
He's like a babysitter/body-guard of L.

Is there more to recreating Watari visually than the outfit? (Expression/stance/slogan etc.)
I won't change a thing, leave him as he is - a person, who loves L and carries him.

What, in your professional opinion, are fundamental tips/advice in producing art that's recognisably Watari? Any thoughts regarding secrets lifted from Takeshi Obata's artwork too?
I've never drawn Obata's artwork. I only like Watari and L.

What are the common noob errors made in drawing/modelling Quillsh Wammy?
Mostly likely his old detail on his face, like adding the wrinkles and all - best wishes to all! No one is expert but you can practice towards time.

Any last tips for anyone reading, who wishes to start creating Mr Wammy artwork?
Just good luck to anyone and try your best. No-one is an expert, but practicing will make you better.

Posted as Part of

0 Comments

<<Previous

Death Note news articles

New Death Note Owner Netflix Confirms Keith Stanfield Casting; Adam Wingard Announces Jason Eisener for the Crew

Latest Production Information for Death Note Film

Death Note's Misa Achieves Dividends When She Acts

How Clever Misa Amane Outwits Both L and Light in the Hunt for Kira

Overly Attached Girlfriend Misa Amane: Is She Really So Dependent on Light?

Misa Amane as the Archetypal Anime Genki Girl

Hidden Reserves of Strength in Misa-Misa

Misa Amane: Worldly Wise and Self-Possessed of All her Assets and Skills

Published as Part of

The Many Roles of the Tarot Magician

The Meaning of Magician in the Major Arcana

The Magi In All Their Guises: Major Arcana Death Note's The Magician Card

The Magician as Death Note's Gatekeepers and Arbiters of Destiny

L's Messenger Mage Watari: Herald, Spokesperson and Point of Contact

Destiny's Magister: Roger Ruvie, The Wammy House Ringmaster Tolls Part Two

Mello the Consigliere: Death Note Mafia Mage with a Dual Agenda

Sakura TV as the Charlatan: Showmanship Masquerading as Wisdom

Kiyomi Takada: Enlightened Divine Messenger of Death Note

Le Bateleur Matsuda: Sleight of Hand Illusionist in Death Note

The Three Wise Men (Wam-Magi?)

Posted as Part of

Watari's Moments by DeathNotegirl3675

Posted as Part of

Thorns of Death by Aerial Sky- Watari Death Note Fan-Fiction

Aerial Sky's Tips on Writing Wammy in Death Note Fan-Fiction

Death Note Fan-Fiction Writers!

Posted as Part of

Death Note Wammy Letters' Alphabet Pt 2 - L-Z

L - Wammy Kid The Last One, or The Lost One - True Name L Lawliet*

M - Wammy Kid Mello - Mihael Keehl

N - Wammy Kid Near - Nate River

O - Wammy Letter Not Assigned in Canon

P - Wammy Kid Pseudonym and True Name Unknown

Q - Wammy Kid Pseudonym and True Name Unknown; Unless Strong Probability: Q - Wammy Kid Matt - True Name Mail Jeevas

R - Wammy Kid Pseudonym and True Name Unknown

S - Wammy Letter Not Assigned in Canon

T - Wammy Kid Pseudonym and True Name Unknown

U - Wammy Letter Not Assigned in Canon

V - Wammy Kid Pseudonym and True Name Unknown

W - Wammy Letter for Watari - Quillsh Wammy Himself

X - Wammy Kid Pseudonym and True Name Unknown; Y - Wammy Kid Pseudonym and True Name Unknown; and Z - Wammy Kid Pseudonym and True Name Unknown

The Wammy Alphabet of Death Note Letters

Posted as Part of

Posted as Part of

Posted as Part of

CupofSquirrel's Guess Greenleaf on How to Cosplay Quillsh Wammy

Watch CupofSquirrel in Action Cosplaying Death Note Characters

Cosplayers!

Posted as Part of

Posted as Part of

The Names of Quillsh Wammy

Watari's Vital Statistics

Key Dates for Watari

The Auguries of Quillsh Wammy

A Versatile Fixer - The Personality of Quillsh Wammy

Complete List of Wammy Kids in Death Note Canon

The Faces of Watari

Posted as Part of

Lacie-BunCat Tackles Our Artist Questionnaire About Drawing Mr Wammy

Posted as Part of

Death Note News Categories

Monthly Archives

Where Now?

Death Note News

Support

Thorns of Death by Aerial Sky
- Watari Death Note Fan-Fiction