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Edward Zo: US Death Note Movie 'no Asian Actors Considered for Light Yagami Role'

12/10/2015

36 Comments

 
Edward Zo and Light Yagami
Edward Zo - Too Asian
for Light Yagami
Actor Edward Zo is the latest to comment on the whitewashing furore surrounding the US live action Death Note movie.

Yet his might be the hardest-hitting commentary to date, simply because it relates personal experience to back up what so many are saying about inappropriate casting bias.

Ever since a strong rumour circulated that Nat Wolff (Paper Towns, Naked Brothers' Band) will star in the Death Note US remake, there has been much dissent amongst the masses. Voices raised on Twitter and other social networks, petitions, and a lot of angry talk elsewhere.

The issue being that Light Yagami is a Japanese man, who is being played by a white American half-Jewish actor. The important fact there being 'white'.

It feeds into a wider, quite repugnant tradition, whereby only white actors are cast in meaningful roles (or indeed 'roles' full-stop much of the time). Even if it means changing the ethnicity of the character in order to do so.

But one American actor - who was told openly not to bother auditioning for Death Note because he's too Asian - is hitting back.

Edward Zo's Racist Hollywood? Death Note Whitewashing YouTube Testimony

Edward Zo's video message to Hollywood is twenty minutes long, yet well worth affording the time to watch.

It's not merely a rant from an actor feeling entitled to something because of his ethnicity. It's an intelligent, multi-faceted look at the inherent racism of the film industry as a whole.

There's plenty of background, giving history and context, before zooming in on the specifics facing 'actors of colour' in Hollywood today.  Not least that there just aren't that many roles with 'layers and depths' available for those who aren't white.  Light Yagami should have been one of them.

This isn't just about an actor thwarted in a sought after part. It matters in a much wider setting.

Zo emphasizes the fact that visibility is key here. One demographic dominates the movie industry, and media per se. Whether we wish it or not, such things corrupt our perceptions of other cultures, races, classes, or whatever else feels unknown despite being part of the same human story.

Edward Zo is not Bruce Lee, nor is he Jackie Chan, yet he frequently encounters folk for whom those two gentlemen are their only frame of reference for his skin colour and features.
Actor Edward Zo

Edward Zo, not Jackie Chan, nor even Bruce Lee. What else have you got?
For Death Note fans, there's the added impetus of Zo's personal experience. A manga fan since childhood, he has long been passionate about Death Note.

Hence the excitement when he learned that a live action Death Note movie was being made in his native USA. It sounded like the kind of vehicle crying out for talented Asian-American actors. He couldn't be more wrong.

Informal inquiries, regarding auditions for his dream role of Light Yagami, led to the grapevine rustling back some unsettling news.
This would have been an amazing opportunity for an actor of colour, for an Asian actor, to take the global stage and break barriers and break stereotypes... (but) they were not looking to see Asian actors for the role of Light Yagami.
~ Edward Zo, Racist Hollywood? Death Note Whitewashing, YouTube, October 9th 2015
Despite being blatantly told not to bother applying, Edward Zo brushed aside the grapevine rhetoric enough to pursue the part through official channels. He asked his manager to submit his profile to Death Note's casting director.

He heard nothing back. Just the news that we all heard, which is that Nat Wolff is in 'final negotiations' to play Light Yagami.

No Asian actor at all, but an apple pie, ex-Nickelodeon, white American.

Not that Edward Zo has anything against Nat Wolff. He enjoyed the Naked Brothers Band and thought Wolff was great in his recently released movie Paper Towns. Nor is any of this necessarily Nat Wolff's fault.

Nevertheless, it feels, smells and looks like cultural imperialism from Zo's point of view.

Read between the lines. Meet your White Gods of Egypt | #whitewashing pic.twitter.com/fwdRKO0Ufi

— Edward ZO (@EdwardZo) October 9, 2015

Edward Zo highlights another example of Hollywood whitewashing

The Cultural Approximation of Death Note

Nat Wolff's lead role casting in Death Note conveys a message loud and clear to all Asians watching.  Summed up, in Zo's own words, as:
Our version of your story does not include you.
~ Ibid
Hollywood is happy to take stories from all over the world; authors may be any ethnicity, colour, race, creed, hail from any country, write in any language. But their tale will be told through a culturally white Protestant lens.

Thus it becomes white Protestant by tradition, as the loudest voice is usually the one most heard.

While the current highly extensive fandom is well aware that Death Note is Japanese, a whole new audience about to be exposed to a potential block-buster which swears that this is an American story.

Does that matter in the long run?  Well put it this way, when you think of Romeo and Juliet, is it a Shakespearian play set in Verona?  Original author Masuccio Salernitano would be amazed to find that his tale moved out of Tuscany and no-one today recalls that it was ever there.

And just ask the Welsh what contortions King Arthur went through after being wrestled from our grasp. Let's just say that nothing in the legend now looks like it does in the fragments that remain of our heritage.

Cultural approximation can so easily become cultural imperialism. That's the warning Edward Zo makes with regard to Death Note. Today Japanese, tomorrow white American.

Assuming it doesn't flop like other whitewashed Asian films. We're all looking at you, Dragonball Z and Airbender.

But the actor remains defiant.

Mobilizing on Behalf of Asians in Hollywood - Edward Zo's Rallying Call

In his discussion of the perceived whitewashing of Death Note in the US, Edward Zo also covers the counterpoints to such views.

Primarily, it's all about the money, which Zo disdains with reference to movies like those just mentioned, that flopped despite the white actors inserted into ethnically diverse lead roles.

Then he alights upon the second consideration - that he should put up and shut up, or else leave the country for one more open to casting Asian actors as its movie stars.

Suddenly he sounds very American.
I was born here. Why should I have to relocate, or move, to get the same privileges that everyone else does?
~ Edward Zo
Death Note's Light Yagami
Take it from a Briton, Americans really don't like being told they're liable for taxation without representation.  Nor any of its modern equivalents. Like 'buy tickets for movie presentations without being in them'.

Hard work and persistence is supposed to realise the American Dream. If no hope in its actuality exists, then the good folk Stateside tend to bite back...
Dear Hollywood, you cannot just bleach the soul out of Death Note literally and then expect the rest of us not to notice. Because we noticed.
~ Ibid
... and start revolutions.
It's up to us as young people to vocalise and to mobilize whenever we see something that is not right.
~ Ibid
And older people too.  I'm so far past young, that Edward Zo looks barely old enough to be out of diapers, but I heard and I vocalised. A life-long believer that silence means approval and no change was ever made without each of us speaking up wherever we perceive something wrong.

Especially when it seems endemic, institutionalized and so commonplace that we barely notice unless its pointed out.

Edward Zo pointed out something important here, and it behoves us to listen to what he has to say. Else nothing ever changes and this one is far bigger than even Death Note.

Books about Whitewashing Hollywood

You Mean, There's Race in my Movie?
Cinema Civil Rights
Guilty! Hollywood's Verdict on Arabs After 9/11
Buy You Mean, There's Race in my Movie?
on Amazon US
Buy Cinema Civil Rights...
on Amazon US
Buy Guilty: Hollywood's Verdict on Arabs...
on Amazon US


36 Comments
AquaCola
13/10/2015 15:56:50

It seems like this is an increasing ever present problem in Hollywood. The Stonewall Movie is a prime example of it too. I just don't understand how the writing will translate across cultures either. Light's schooling life makes no sense when applied to American life styles. Nevermind the mythos of Death Gods involved gets merky. I suppose a grim reaper could be equated but I digress. I could go on but this was a very good read.

Reply
Matti
4/11/2015 16:10:19

Not one of Hollywood's more glittering sides. It gets awfully depressing, the more it's contemplated.

Reply
alix
6/4/2017 14:40:07

Well... Death note's new movie is an north-american adaptation, makes no sense all the cast being japanese. The story of death Note is not exclusive to japan, but anyway it already has a japanese movie version. So if someone want an all japanese cast, they should look for the live actions already released.

I think Light in an American version would be the "prom king", or from the football team, but he's smarter than he seems. Not so hard. Death Note story adresses universal themes that are no way exclusive to Japan.

Reply
fubs
21/4/2017 08:11:05

Well this is a typical argument, want to see asians? Go back to asia.
Point is that they stonewalled any asian actors from getting the role, more importantly, asian american actors. Your point actually highlights the problem, asians born in america or the west aren`t welcome, god forbid you think of asian americans as actual normal americans.

Mr Benjamin
14/11/2015 00:15:17

Guess they didn't learn from the debacles that were db evolution and the last air bender. Here's yet another example of the Hollywood machine doing what it does best. Lucky I can stillwwatch the anime on netflix and the live action show on crunchyroll.

Reply
Matti
17/11/2015 08:45:42

These are all true stories.

Reply
Dee
15/11/2015 06:42:54

Actors of fully Jewish background: Logan Lerman, Natalie Portman, Joseph Gordon-Levitt, Mila Kunis, Bar Refaeli, James Wolk, Jennifer Jason Leigh, Julian Morris, Adam Brody, Esti Ginzburg, Kat Dennings, Gabriel Macht, Erin Heatherton, Odeya Rush, Anton Yelchin, Paul Rudd, Scott Mechlowicz, Lisa Kudrow, Lizzy Caplan, Emmanuelle Chriqui, Gal Gadot, Debra Messing, Robert Kazinsky, Melanie Laurent, Shiri Appleby, Justin Bartha, Sarah Michelle Gellar, Margarita Levieva, Elizabeth Berkley, Halston Sage, Seth Gabel, Corey Stoll, Mia Kirshner, Alden Ehrenreich, Debra Winger, Eric Balfour, Jason Isaacs, Jon Bernthal, William Shatner, Leonard Nimoy.

Andrew Garfield and Aaron Taylor-Johnson are Jewish, too (though I don’t know if both of their parents are).

Actors with Jewish mothers and non-Jewish fathers: Jake Gyllenhaal, Dave Franco, James Franco, Scarlett Johansson, Daniel Day-Lewis, Daniel Radcliffe, Alison Brie, Eva Green, Joaquin Phoenix, River Phoenix, Emmy Rossum, Rashida Jones, Jennifer Connelly, Sofia Black D’Elia, Nora Arnezeder, Goldie Hawn, Ginnifer Goodwin, Amanda Peet, Eric Dane, Jeremy Jordan, Joel Kinnaman, Ben Barnes, Patricia Arquette, Kyra Sedgwick, Dave Annable, Ryan Potter.

Actors with Jewish fathers and non-Jewish mothers, who themselves were either raised as Jews and/or identify as Jews: Ezra Miller, Gwyneth Paltrow, Alexa Davalos, Nat Wolff, Nicola Peltz, James Maslow, Josh Bowman, Winona Ryder, Michael Douglas, Ben Foster, Jamie Lee Curtis, Nikki Reed, Zac Efron, Jonathan Keltz, Paul Newman.

Oh, and Ansel Elgort’s father is Jewish, though I don’t know how Ansel was raised. Robert Downey, Jr. and Sean Penn were also born to Jewish fathers and non-Jewish mothers. Armie Hammer and Chris Pine are part Jewish.

Actors with one Jewish-born parent and one parent who converted to Judaism: Dianna Agron, Sara Paxton (whose father converted, not her mother), Alicia Silverstone, Jamie-Lynn Sigler.

Reply
Matti
17/11/2015 08:43:13

But it's not really relevant whether or not they are Jewish. The questions are whether the Death Note cast are Asian, and whether that matters/should matter.

Reply
Sachi
30/4/2017 03:15:52

Considering that most of the plot points evolve from the perspective of a Japanese honor student, living in Tokyo, with a father who's the chief of the NPA, and that they then are contacted from outside, by a foreign detective, and do dealings with an American investigative agency, it really does matter--to the point where you have to turn the entire story and its setting and characters, inside out.

It's like if you bleached a pink and purple polka-dotted scarf, covered in detailed, knitted character designs, and everything changed color, and the design was ruined, and the person applying the bleach said it was okay, because the polka dots were still intact, in a different color--and that the person the scarf now belonged to found the bleached colors more to their liking. The entire design is still still, objectively, RUINED. o.o;

Johnny
7/12/2015 11:30:42

But they are adapting the story from japan to america.

So of course they are not gonna have an asian cast, it makes sense.

If it took place in tokyo sure, if it takes place in new york why would there be asian characters only ?

They already have live action movies in japan, they could have just dubbed over that otherwise. Same for "the ring" adaptation, that's exactly what it was, an adaptation for western audience.

Having an asian cast only in an american setting would be stupid.

Reply
Mal
23/12/2015 01:51:52

There are such people as Asian American...American are not all white...so they are in the wrong!!

Reply
DirkDeadeye
28/3/2017 23:26:08

You say that, but i was also told that we are not to refer to nor take notice of any heratige in Americans that resemble Asians. As they are NOT Asian. I'm confused.

Andrew
9/3/2016 14:00:10

You can't be serious.

1. "Having an asian cast only in an american setting would be stupid."

There are over 20 million Asians American citizens living in the US as we speak and they make up 5% of the American population. To put this in perspective, Black people make up 13% of the US, so for every 3 African-American, there is 1 Asian-American - i.e. NOT an insignificant minority.

In New York, the Asian population is even higher at more than 8% (see the NYC gov website: http://www.nyc.gov/html/dcp/pdf/census/census2010/t_sf1_p9_nyc.pdf). Even if you don't read up on stats, if you've ever travelled around NY (from the way you talk, I doubt you have), you'll find that Asians have a huge cultural impact and presence there, especially in places like Queens, for example.

Taking away roles like these, where the majority of the characters WERE ORIGINALLY ASIAN IN THE FIRST PLACE, further disenfranchises a group that is already WAYYY under-represented in mainstream film, and is a reason why people like you think Asians don't exist, or (as I suspect from your tone) don't belong in America (racist, anyone?).

This relates to my next point.

2. "if it takes place in new york why would there be asian characters only?"

Never was it EVER mentioned that there was only going to only Asian characters. It was only said that the main character can't be Asian (which is kinda racist, don't you think?). Why put a "No minorities allowed" sign on this role in the first place, especially Asians? Even if you didn't misunderstand what is being said in the video (did you even watch it?), are you implying having one Asian actor is simply one too many Asians in the movie for your liking (again, kinda racist dude)?

3. The main character is called Light YAGAMI for God's sake. Do you want to change the character's name to John Smith as well?

You take away the opportunity to explore a lot of the subtle cultural nuances of the film by completing changing the scene and cultural environment of the film. Taking a reverse example of this case, having a film adaptation of the movie JFK set in Japan, with mainly Japanese characters, for Japanese audiences, would take away some of the political and historical undertones compared to if it was actually set in America, don't you think?

This is similar to Death Note - look at how the 'teenagers' are portrayed in Japan compared to America, and how Greek mythology and Christian themes are interpreted from a Japanese writer/creator's point of view in the form of this anime and soon-to-be film.

Having just typical White, or even Black, American actors interpreting these roles, would simply bring a different flavour to the characters of the film simply because of their own previous experiences, often limited to life in certain areas of America.

This means a lot of the acting and character interpretations by Asian actors would be lost, and the possibility of an extra dimensional layer of meaningful, deeper discussion about the cultural context that inspired Death Note would have been robbed. With Asian actors, particular fans of the work, like Edward Zo (the rejected audititionee), it seems quite unfair to miss out on this opportunity to tell their story through their acting, just because the people auditioning him wanted a "less Asian actor" for the position. It is especially outrageous when they give no REAL justifiable reason to reject someone based on their race, and is DEFINITELY something that shouldn't be happening in 2016.

(By the way, did I mention the character he was auditioning for was called Light YAGAMI? Would you have a white actor play a the lead role in 12 Years A Slave? Same thing here.)

4. Finally, you are implying that Americans are either dumb or too ignorant to understand and appreciate a great storyline without it being overhauled and loaded with White, or even Black American lead roles. Why is it harder to emphasis with a lead role with a different ethnicity to you? If you can appreciate the anime, with Japanese characters, surely you can appreciate the film adaptation with real life Asians?

In summation:

-There are MANY Asians living in American, and just because they aren't in a lot of mainstream films, doesn't mean they don't exist in real life in America (If that's what you think, you may want to get off Netflix and go outside once in a while - you'll find a lot of young Asian-Americans studying in universities like UCLA, Stanford, MIT, etc - maybe have a chat to one of them before you write off an entire race within America).

-Mate, this has nothing to do with live actions movies, (you're deflecting, intentionally or unintentionally, from the main point), it's about discrimination in the US in 2016.

-You're simply just wrong, and I think you might be a closet racist, or INCREDIBLY (and I mean INCREDIBLY) ignorant...

-...or blind. Have you seriously never seen an Asian in the US?

Reply
Shini
4/8/2016 19:48:01

You've taken the anger right out of my mouth. Exactly. Exactly, exactly.

Smol potato
25/6/2017 22:28:03

I understand what you're trying to say, but his point here is that the producers should focus on the actor's talent rather than what race they belong to, I mean cmon they didn't even let him audition because he was an Asian?? That's just racism right there already

Reply
a little confused
1/6/2016 22:52:05

Um, why do some Asians complain all the time about whitewashing and then go an bleach their hair. So they can look white?!

Reply
whatthef
5/7/2016 23:42:56

WTF? Bleaching a persons HAIR doesn't make their SKIN white ffs

Reply
Smile
25/6/2017 22:29:48

Another racist right there -_-

Reply
mastertruth
23/8/2016 22:14:43

Doesnt matter who will they take as actors, everything hollywood remakes is and will be SHIT! they simply humiliating themselves for money.

Reply
Anonymous
25/10/2016 12:41:51

This is such b.s. considering the fact that they're supposedly giving the role of L. Lawliet to a black man. If they can do that then why can't they give the role of Light Yagami (who is actually Asian) to an Asian man? 😑

Reply
Iza
30/10/2016 01:00:36

Because "diversity"....or so they claim.

Ironic, isn`t it?

Reply
Nicole
26/3/2017 05:25:17

With everybody ranting, the one thing they don't take into consideration as we didn't see his screen test so we don't know who played the role better as it was written for that particular screenplay. So maybe the casting did not feel that he was right for the part aside from the fact that he was Asian, and I really do think that would be a really poor excuse for hiring someone. Just because he is of Asian descent does not mean he was the best suited candidate for the part. That would be like saying that just because their race was right for what the screenplay was they got the part, even if they couldn't fulfill the character. Since we don't know it's really hard to say.

Reply
K
14/9/2017 15:34:36

As the entire article was saying, the isn't isn't that he didn't get the part or that an Asian person wasn't cast. The issue is he wasn't given a chance in the first place.

Reply
b
26/3/2017 09:46:51

what the hell are you stupid? so when white people dye their hair black they also want to be a different race? lmao

Reply
Peter M. Eng
27/3/2017 02:21:57

"...we didn't see his screen test..."

If I understand this story correctly, neither did anybody associated with the film. They just read his name, maybe looked at a picture, and said "no" without seeing if he could play the part.

Reply
Worked in Casting
28/3/2017 20:53:53

I'm sure the casting director saw it and thought it didn't MERIT being shown to the producers. The three main producers are all ASIAN. Do you think they are all racist? No way.

Reply
fubs
21/4/2017 08:20:24

Producers care about money, nothing else.
Casting director on the other hand have an image of who they want and it`s obvious they had a white guy in mind from the get go.

Vivian
27/3/2017 10:20:00

@Nicole: Didn't you read that Edward Zo was denied outright due to his race? He was explicitly told not to bother auditioning because of his race. He probably didn't even get the chance to properly audition in the first place.

Reply
Joe
27/3/2017 16:08:43

The fact that they wanted to americanize the film is okay with me. The problem I have is that, for some reason, they thought that an asian main character wasn't American enough. I get that the majority of America is white, and so you have to play to your audience, but that assumes that white people can't empathize with a main character who isn't white, which is complete bullshit. There is a such a thing as an asian-american, and they are just as much American as white americans.

Reply
worker drone
28/3/2017 20:51:18

In Hollywood people try and find all kinds of nice ways to "pass' on you or your work. This sounds like a casting director trying to be "nice." Basically this kid isn't a strong enough actor for them to consider so they just told him they aren't "looking for Asians." That's what probably happened.

Reply
fubs
21/4/2017 08:15:41

...Or they just weren`t looking for asian americans to represent america, that`s probably more likely to have happened than the pathetic excuses you`re trying to drum up.

Reply
K
14/9/2017 15:36:24

If you actually read the article, you will see that Asian actors weren't allowed to audition in the first place. There is literally no excuse for this; it's clear-cut racism.

Reply
Sachi
30/4/2017 01:11:02

"Let's bleach Tokyo, its academic system and student culture, its corporations, its celebrities, and its police force. Sure. It'll look convincingly like Seattle. Never mind that there were already American, British, and even Russian characters in the original Death Note story, nor that the original setting was in an Asian country, full of Asian roles to portray."

But it's okay, because the serial killer son-of-a-police-chief protagonist is now a white dude, and, the detective that is pursuing him, who he murders and impersonates, is now a black dude. So it's like, we had a message Hollywood was afraid of sending in Death Note, and so they bleached the whole thing over, and got an even more disturbing, message to show up, by accident.

It's priceless. It's absolutely priceless, and it needs more exposure.

Reply
Gabriel J.
25/7/2017 20:28:12

Look, I'm all for remakes... But this is taking it too far. Death note was a cultural manga to begin with. One of the best selling typically among high school students with emotional issues who like to wear makeup and hair dye... I am one to talk simply because people used to call me L and light when i dressed up everyday to go to school as basically the only visual-k/ drag king in my entire school. I cannot believe they are whitewashing this Foe production. They could have at least selected a cast that "looked Asian" regardless of it they were or not. There are alot better people out there to fill those roles than the garbage they ended up rolling with. They look nothing like the modeled anime figures, and they even went as far as to change the names of the characters themselves to fit a more Americanized feature... I will not be watching this. "Loosely based on the manga series" doesn't come close to expressing the debauchery. I'll be first to say on this page that the anime adaptation was probably one of the driest drawn to script anime... Try watching it without the epic theme music and you'll see what i mean. I feel for ya Zo. I really do... This is war!!!

Reply
Jo
19/2/2022 05:14:03

If I am auditioning as light (which is not going to happen) for the upcoming Netflix Death Note movie and they Said that to me because of my race.
Oh I would be really furious. Because Light isn't even American and white. HE IS ASIAN LIKE ME

Reply
Light
19/2/2022 17:16:08

If I am auditioning as light in the Netflix Death Note {which isnt going to happen in my life} and they Said that to me because I am Asian.
Oh I would be really furious. Because Light isn't American and white. HE IS ASIAN LIKE ME

Reply



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