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Nathaniel Overthinks Death Note #01: Kant and Confucius in Death Note via Soichiro Yagami

26/10/2015

4 Comments

 
Beginning today, a brand new Philosophy of Death Note column
by Nathaniel Brown for Death Note News.

Death Note News Column: Nathaniel Overthinks Death Note
The morality of Death Note is curious thing, not least because the complex themes Ohba raises in his manga are unintentional.

When examining the themes of Death Note we as a fandom have a lot of input. Death Note is the perfect slate for a variety of interpretations because Ohba himself didn’t have much in mind outside his desire to entertain his readership. When interviewed he said that he saw a magazine article about the themes of the series he stated that it was “too difficult for me to understand”  and the creation of the “deep philosophical themes” of Death Note were a by-product of their desire to entertain, not the other way around.

He’s even on record as saying “some people may have been taking the series too seriously”!  (Which in writing this article I’m probably falling into the category of). He was pressed about this topic and did eventually say “no human has the right to pass judgement on another’s actions. No one should play God”; but this seems to be retrospective analysis rather than something he had in mind while writing the series.
 
Nevertheless, whether Ohba intended to or not his series raises many valid ideas and paves way for multiple readings; not just the one I’m about to offer. The risk in approaching Death Note is to view it with too strong a Western perspective when characters like Soichiro Yagami are so clearly eastern. Nevertheless, it’s through this lens I will (partially) view it because of my greater familiarity with Western philosophy.

The three main ideologies characters could be argued to have in the series are Utilitarianism, Confucianism (with a touch of Kantianism) and Nihilism.  We'll start this month with the middle one.

Death Note's Confucian Soichiro Yagami (and Kant)

Death Note's Soichiro Yagami: Manga, Anime, Takeshi Kaga and Yutaka Matsushige

The Confucian faces of Soichiro Yagami: (clockwise from l) manga, anime, Yutaka Matsushige (TV)
and Takeshi Kaga (live action movies)
Light’s father Soichiro Yagami is a fundamentally eastern character with a highly Confucian mind-set. Confucianism (similar, but not identical to the Western philosophy of Kantianism) emphasises collective duty to the whole of society and that the ends never justifies the means!

Soichiro values his family above all other things, and his duty as a police officer next. He was the first to agree to stay on with L after the police force stopped investigating the Kira case, and his guilt in saving his daughter lead him to accept the Shinigami eyes and ultimately die for his cause. He risks his life numerous times during the Kira investigation and his passion for justice makes him an incredible workaholic (his family often had to deliver clothes to him because he worked such long hours, this caused Light to meet Naomi while he was delivering them to him; too her eternal misfortune).

Ohba has stated that Soichiro Yagami is the only “good” person in Death Note.
 
Despite his dedication to catch Kira, he has his limits of what he perceives as morally permissible to do so and he certainly doesn’t espouse the idea “that the ends justify the means”. This objection is revealed multiple times throughout the investigation; most notably when L wishes to allow criminals mentioned by Yotsuba to die in order to incriminate the organisation. Soichiro opposes on the grounds that “even if they are criminals” it’s unethical to allow them to die even if it is to solve the case.  To make this clear, they arguably stand to gain more by allowing these criminals to die (and to be fair, we aren’t talking about purse snatchers here in most cases) since if they can apprehend the Yotsuba Group, more people will be saved from Kira.

Looking it at it from a more Kantian perspective all humans have an intrinsic value, and can never be a means to an end because their intelligence and sentience makes them an end in of themselves meaning things such as murder and lying (which Light does with impunity) never acceptable.
 
The song sung by Soichiro in Death Note the Musical - Honour Bound and Bound by Honesty - has a distinctly Eastern feeling to it; enhancing his Confucian and Japanese associations.
At the heart of Soichiro Yagami’s character is a man who struggles between his duty to his family and his duty to remain impartial as a police officer. This ultimately leads him to consider committing suicide after he’s forced to hand over the Death Note to Mello to get his daughter, Sayu, back. 

Other versions of Death Note enhance this very Japanese perspective further. In the Death Note  drama, Soichiro Yagami commits suicide with the Death Note after uncovering his son’s identity as Kira. This harkens back to the honour killings that were once common in Japan; most infamously with Kamikaze pilots. Since Soichiro Yagami cannot bring himself to kill his son (that would be a violation of his duty to his family) he kills himself since he failed in his duty to raise a morally upright son.


4 Comments
Matti
26/10/2015 21:11:59

Thank you for agreeing to write this column. That was an excellent read and a brilliant beginning. Looking forward to reading the rest. (Says the woman with the sneak preview of what's coming up...)

I think it's only with the Death Note 2015 TV drama that I actually 'got' Soichiro. I knew he was a fine, upstanding member of society, but not how imbibed with Confucian morality he was. That was my fault. I hadn't properly investigated the Japanese cultural touchstones surrounding him.

Once you do see what's going on, it adds much more depth to the story than ever before. Now you've just laid on another layer, which is going to take some musing upon.

Thanks again!

Reply
lua
30/10/2015 00:45:18

this is quite interesting. i'm not sure i agree those are the three main ethical approaches in the series but i did enjoy reading your argument on confucionism on the series. i usually saw soichiro in a kantian light but i didn't try to look at him through that perspective before now.
btw i loved the name column!!

Reply
Matti
4/11/2015 16:03:24

I loved the arguments too, whilst also pondering what philosophies I might apply. Really looking forward to what Nathaniel comes up with next.

Reply
Brooklyn
16/2/2018 19:06:38

I've taken a lot of time to study the musical, and I always come back to the changes in Soichiro's character. He's even stricter, imidiatly expressing his disagreements with L about the Lind L. Taylor broadcast to Light. I would suggest loomingup the newly released NY Demo songs, which include "never cross these lines" - Soichiro singing to Light about morality, and "secrets and lies" which includes a verse by Soichiro saying how L's morals make him uneasy and suspicious. As a side note, the reason "honor bound" sounds so traditionally Japanese is because it's written in a pentatonic scale, which songs of that style were often in.

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